Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Paths of Song

The Lyric Dimension of Greek Tragedy

Bibliographic Data

ID9319789
AuthorsThomas Coward (corresponding author), Paths of Song: Interactions between Greek Lyric and Tragedy London
EditorsRosa Andújar (0000-0002-3073-9426), Thomas R P Coward, Theodora A Hadjimichael (0000-0001-9049-6748)
Year2018
Publication date2018-01-25
Open AccessNo
TypeBOOK
VenuePaths of Song (SOURCE_BOOK)
PublisherDe Gruyter (PUBLISHER • DE)
DOI10.1515/9783110575910
OpenAlexW2618976488
ISBN9783110575910
Open LibraryOL37279689M
LanguageEN
Citations received6

Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection focuses on different types of interaction of Greek tragedy with lyric poetry in fifth-century Athens: generic, mythological, cultural, musical, and performative. The collected essays demonstrate the dynamic and nuanced relationship between lyric poetry and tragedy within the larger frame of Athenian song- and performance-culture, and reveal a vibrant and symbiotic co-existence between tragedy and lyric. Paths of Song illustrates the effects that this dynamic engagement with lyric possibly had on tragic performances, including performances of satyr drama, as well as on processes of survival and reputation, selection and refiguration, tradition and innovation. The volume is of particular interest to scholars in the field of classics, cultural studies, and the performing arts, as well as to readers interested in poetic transmission and in cultural evolution in antiquity

Global Maritime and Colonial Histories · History · Congresses · Greek drama (Tragedy) · Greek poetry · Greek poetry, history and criticism · History and criticism · Lyric poetry

  • Preposterous Poetics

    Simon Goldhill•Preposterous Poetics•2020

  • Theatrical Reenactment in Pindar and Aeschylus

    Open Access•Anna Uhlig•Theatrical Reenactment in Pindar…•2019

  • Ancient Plays

    Timothy Moore•Greek and Roman Musical Studies•2022

  • Classicising ‘Pindar’

    Henry Spelman, Henry L Spelman•Trends in Classics•2021

  • Choral Constructions in Greek Culture

    Open Access•Deborah Steiner, Deborah Tarn Steiner•Choral Constructions in Greek…•2021

  • Choral Constructions in Greek Culture

    Deborah Steiner, Deborah Tarn Steiner•Choral Constructions in Greek…•2021

Citations per year0.86
Citation span2019 - 2022 (4)
Highly citedNo

Tools

Open DOILibgenOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae