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Olly Wilson

Biographic Data

ID6091560
NAMEOlly Wilson
GIVEN NAMESOlly
FAMILY NAMEWilson
SIGNATUREWILSON O
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS18
WORKS AS AUTHOR18
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR2015
H-INDEX2
  • Jones, Thad(deus Joseph)

    Bill Dobbins, Barry Kernfeld et al.•CHAPTER•The new Grove dictionary of music…•2015

  • Jones, Hank

    Bill Dobbins, Barry Kernfeld et al.•CHAPTER•The new Grove dictionary of music…•2015

  • Jones family

    Bill Dobbins, Barry Kernfeld et al.•CHAPTER•The new Grove dictionary of music…•2015

  • Jones, Elvin

    Bill Dobbins, Barry Kernfeld et al.•CHAPTER•The new Grove dictionary of music…•2015

  • Jones, Elvin

    Olly Wilson, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Roach, Max(well Leland) (jazz)

    Olly Wilson, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Clarke, Kenny (jazz)

    Olly Wilson, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Brown, Clifford (jazz)

    Olly Wilson, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Jones, Elvin

    Olly Wilson•CHAPTER•The new Grove dictionary of music…•2001

  • Roach, Max(well)

    Olly Wilson•CHAPTER•The new Grove dictionary of music…•2001

  • Composition from the Perspective of the African-American Tradition

    Olly Wilson•ARTICLE•Black Music Research Journal•1996•Cited by: 2•References: 1

    Implicit in the title of this paper, Composition from the Perspective of the African-American Tradition, is the notion that there is a distinct musical tradition that may be called African American. In attempting to understand what constitutes the distinct qualities of African-American musical culture, one is led to W.E.B. Du Bois's brilliant exposition of this issue. In his classic book, The Souls of Black Folk, written in 1903, Du Bois describe…

  • Symphony No. 1

    Fred Hauptman, Ellen Taaffe Zwilich et al.•ARTICLE•American Music•1987

  • The Black-American Composer and the Orchestra in the Twentieth Century

    Olly Wilson•ARTICLE•The Black Perspective in Music•1986

  • Black Music as an Art Form

    Olly Wilson•ARTICLE•Black Music Research Journal•1983•Cited by: 8•References: 2

    The title Black Music as an Art Form is a particularly intriguing and problematic one. Intriguing because it implies, first, that music exists in some context other than art, and secondly, that its existence as art is, in some way, peculiar and distinct; and problematic because it raises the old question of what is really meant by the term black music. Moreover, the title raises the complicated issue of what is meant by the term art

  • Olly Wilson

    Eileen Southern, Olly Wilson•ARTICLE•The Black Perspective in Music•1978

  • Olly Wilson

    Eileen Southern, Olly Wilson•ARTICLE•The Black Perspective in Music•1977

  • The Significance of the Relationship between Afro-American Music and West African Music

    Olly Wilson•ARTICLE•The Black Perspective in Music•1974•Cited by: 8

  • The Black-American Composer

    Olly Wilson•ARTICLE•The Black Perspective in Music•1973

  • Black Music as an Art Form

    Olly Wilson•ARTICLE•Black Music Research Journal•1983•Cited by: 8•References: 2

    The title Black Music as an Art Form is a particularly intriguing and problematic one. Intriguing because it implies, first, that music exists in some context other than art, and secondly, that its existence as art is, in some way, peculiar and distinct; and problematic because it raises the old question of what is really meant by the term black music. Moreover, the title raises the complicated issue of what is meant by the term art

  • The Significance of the Relationship between Afro-American Music and West African Music

    Olly Wilson•ARTICLE•The Black Perspective in Music•1974•Cited by: 8

  • Composition from the Perspective of the African-American Tradition

    Olly Wilson•ARTICLE•Black Music Research Journal•1996•Cited by: 2•References: 1

    Implicit in the title of this paper, Composition from the Perspective of the African-American Tradition, is the notion that there is a distinct musical tradition that may be called African American. In attempting to understand what constitutes the distinct qualities of African-American musical culture, one is led to W.E.B. Du Bois's brilliant exposition of this issue. In his classic book, The Souls of Black Folk, written in 1903, Du Bois describe…

  • The Black-American Composer

    Olly Wilson•ARTICLE•The Black Perspective in Music•1973

  • The Significance of the Relationship between Afro-American Music and West African Music

    Olly Wilson•ARTICLE•The Black Perspective in Music•1974•Cited by: 8

  • Olly Wilson

    Eileen Southern, Olly Wilson•ARTICLE•The Black Perspective in Music•1977

  • Olly Wilson

    Eileen Southern, Olly Wilson•ARTICLE•The Black Perspective in Music•1978

  • Black Music as an Art Form

    Olly Wilson•ARTICLE•Black Music Research Journal•1983•Cited by: 8•References: 2

    The title Black Music as an Art Form is a particularly intriguing and problematic one. Intriguing because it implies, first, that music exists in some context other than art, and secondly, that its existence as art is, in some way, peculiar and distinct; and problematic because it raises the old question of what is really meant by the term black music. Moreover, the title raises the complicated issue of what is meant by the term art

  • The Black-American Composer and the Orchestra in the Twentieth Century

    Olly Wilson•ARTICLE•The Black Perspective in Music•1986

  • Symphony No. 1

    Fred Hauptman, Ellen Taaffe Zwilich et al.•ARTICLE•American Music•1987

  • Composition from the Perspective of the African-American Tradition

    Olly Wilson•ARTICLE•Black Music Research Journal•1996•Cited by: 2•References: 1

    Implicit in the title of this paper, Composition from the Perspective of the African-American Tradition, is the notion that there is a distinct musical tradition that may be called African American. In attempting to understand what constitutes the distinct qualities of African-American musical culture, one is led to W.E.B. Du Bois's brilliant exposition of this issue. In his classic book, The Souls of Black Folk, written in 1903, Du Bois describe…

  • Jones, Elvin

    Olly Wilson•CHAPTER•The new Grove dictionary of music…•2001

  • Roach, Max(well)

    Olly Wilson•CHAPTER•The new Grove dictionary of music…•2001

  • Jones, Elvin

    Olly Wilson, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Roach, Max(well Leland) (jazz)

    Olly Wilson, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Clarke, Kenny (jazz)

    Olly Wilson, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Brown, Clifford (jazz)

    Olly Wilson, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

  • Jones, Thad(deus Joseph)

    Bill Dobbins, Barry Kernfeld et al.•CHAPTER•The new Grove dictionary of music…•2015

  • Jones, Hank

    Bill Dobbins, Barry Kernfeld et al.•CHAPTER•The new Grove dictionary of music…•2015

  • Jones family

    Bill Dobbins, Barry Kernfeld et al.•CHAPTER•The new Grove dictionary of music…•2015

  • Jones, Elvin

    Bill Dobbins, Barry Kernfeld et al.•CHAPTER•The new Grove dictionary of music…•2015

Art (15 works) · Art history (5 works) · Music History and Culture (5 works) · Musicology and Musical Analysis (5 works) · Visual arts (5 works) · History (4 works) · Computer Science (3 works) · History and Developments in Astronomy (3 works) · History of Science and Natural History (3 works) · Jazz (3 works)

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