The Black-American Composer
Bibliographic Data
| ID | 11052951 |
|---|---|
| Authors | Olly Wilson (corresponding author) |
| Year | 1973 |
| Volume | 1 |
| Issue | 1 |
| Pages | 33 |
| Publication date | 1973-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Black Perspective in Music (JOURNAL) |
| Journal identifiers | ISSN: 0090-7790 • E-ISSN: 2326-0890 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1214122 |
| OpenAlex | W2796811899 |
| Language | EN |
| Citations received | 6 |
Art · Visual arts · History · Music History and Culture · Poetry Analysis and Criticism · Race, History, and American Society
The Present State and Future Needs of Research in Black Concert and Recital Music
An Opportunity to Rise
Cosmopolitan or Provincial
Black American Music and Aesthetic Communication
The Inclusion of Concert Music of African-American Composers in Music History Courses
On Vernacular Emblems and Signification in David N. Baker’s The Black Experience
| Unique citing works | 6 |
|---|---|
| Citations per year | 0.13 |
| Citation span | 1980 - 2014 (35) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |