Martin Loiperdinger
Biographic Data
| ID | 6177800 |
|---|---|
| NAME | Martin Loiperdinger |
| GIVEN NAMES | Martin |
| FAMILY NAME | Loiperdinger |
| SIGNATURE | LOIPERDINGER M |
| AFFILIATIONS | Universität Trier |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Not only divas
The ‘invention’ of the long feature film was the key tool used by production and distribution companies to try to solve the overproduction crisis of short films in Europe at the end of the first decade of the twentieth century. Neither cinema owners nor their patrons had clamoured for the shift from entertaining short film programmes to challenging long feature films that absorbed the viewer’s attention and required qualifications in creating mea…
Asta Nielsen film trade in Great Britain
This article examines Asta Nielsen’s exceptional position in the British film market in connection with the film renter Walturdaw’s pioneering star-based exploitation of long feature films on exclusive terms, in the seasons 1911–12 to 1913–14. Close readings of renters’ advertising in leading trade journals and of star portraits in fan magazines, supplemented by OCR research in The British Newspaper Archive on exhibitors’ advertising of a number …
Film Festival Yearbook 5
Film Festival Yearbook 5: Archival Film Festivals." Early Popular Visual Culture, 14(1), pp. 119–120
Märtyrerlegenden Im NS-Film
Magic Lantern, Panorama and Moving Picture Shows in Ireland, 1786–1909
Märtyrerle…
A foreign affair
This article recounts the development of early film technology and business practice in Germany in the first years of commercial cinema. It focuses on an extraordinary partnership between two men, one an early cinema pioneer, the other a well known chocolate manufacturer. This unlikely relationship resulted in filming actualities for the kinetoscope business in Germany, and the development of a cinema viewing apparatus modelled on the existing te…
Filmzensur und Selbstkontrolle
Die staatliche Gewährung der freien Meinung ist in aller Regel an ihre Einschränkung durch Zensurvorbehalte gebunden: Die bürgerlichen Nationalstaaten des 20. Jahrhunderts gründen sich auf wirtschaftliche Interessengegensätze. Durch die Meinungsfreiheit gebieten die Souveräne ihren Staatsbürgern, widerstreitende Anliegen im Austausch unterschiedlicher Ansichten und Auffassungen zu relativieren, praktische Entscheidungen darüber aber in letzter In…
The Beginnings of German Film Propaganda
(2002). The Beginnings of German Film Propaganda: The Navy League as traveling exhibitor, 1901-1907. Historical Journal of Film, Radio and Television: Vol. 22, No. 3, pp. 305-313
Leni Riefenstahl's ‘Tag der Freiheit’
A note on Allied currency reform in West Germany (1948) as presented by ‘Welt im Film’
Hollywood in Berlin, 1945
Leni Riefenstahl, the SA, and the Nazi Party Rally Films, Nuremberg 1933–1934
(1988). Leni Riefenstahl, the SA, and the Nazi Party Rally Films, Nuremberg 1933–1934: ‘Sieg des Glaubens’ and ‘Triumph des Willens’. Historical Journal of Film, Radio and Television: Vol. 8, No. 1, pp. 3-38
No prominent works on this page.
A note on Allied currency reform in West Germany (1948) as presented by ‘Welt im Film’
Hollywood in Berlin, 1945
Leni Riefenstahl, the SA, and the Nazi Party Rally Films, Nuremberg 1933–1934
(1988). Leni Riefenstahl, the SA, and the Nazi Party Rally Films, Nuremberg 1933–1934: ‘Sieg des Glaubens’ and ‘Triumph des Willens’. Historical Journal of Film, Radio and Television: Vol. 8, No. 1, pp. 3-38
Leni Riefenstahl's ‘Tag der Freiheit’
The Beginnings of German Film Propaganda
(2002). The Beginnings of German Film Propaganda: The Navy League as traveling exhibitor, 1901-1907. Historical Journal of Film, Radio and Television: Vol. 22, No. 3, pp. 305-313
Filmzensur und Selbstkontrolle
Die staatliche Gewährung der freien Meinung ist in aller Regel an ihre Einschränkung durch Zensurvorbehalte gebunden: Die bürgerlichen Nationalstaaten des 20. Jahrhunderts gründen sich auf wirtschaftliche Interessengegensätze. Durch die Meinungsfreiheit gebieten die Souveräne ihren Staatsbürgern, widerstreitende Anliegen im Austausch unterschiedlicher Ansichten und Auffassungen zu relativieren, praktische Entscheidungen darüber aber in letzter In…
A foreign affair
This article recounts the development of early film technology and business practice in Germany in the first years of commercial cinema. It focuses on an extraordinary partnership between two men, one an early cinema pioneer, the other a well known chocolate manufacturer. This unlikely relationship resulted in filming actualities for the kinetoscope business in Germany, and the development of a cinema viewing apparatus modelled on the existing te…
Märtyrerle…
Märtyrerlegenden Im NS-Film
Magic Lantern, Panorama and Moving Picture Shows in Ireland, 1786–1909
Film Festival Yearbook 5
Film Festival Yearbook 5: Archival Film Festivals." Early Popular Visual Culture, 14(1), pp. 119–120
Not only divas
The ‘invention’ of the long feature film was the key tool used by production and distribution companies to try to solve the overproduction crisis of short films in Europe at the end of the first decade of the twentieth century. Neither cinema owners nor their patrons had clamoured for the shift from entertaining short film programmes to challenging long feature films that absorbed the viewer’s attention and required qualifications in creating mea…
Asta Nielsen film trade in Great Britain
This article examines Asta Nielsen’s exceptional position in the British film market in connection with the film renter Walturdaw’s pioneering star-based exploitation of long feature films on exclusive terms, in the seasons 1911–12 to 1913–14. Close readings of renters’ advertising in leading trade journals and of star portraits in fan magazines, supplemented by OCR research in The British Newspaper Archive on exhibitors’ advertising of a number …
Political science (8 works) · Art (7 works) · Cinema and Media Studies (7 works) · History (6 works) · Law (6 works) · Advertising (4 works) · Business (4 works) · European history and politics (4 works) · History (4 works) · Visual arts (4 works)