Cristina de Lucas
Biographic Data
| ID | 6185561 |
|---|---|
| NAME | Cristina de Lucas |
| GIVEN NAMES | Cristina |
| FAMILY NAME | de Lucas |
| SIGNATURE | DE LUCAS C |
| AFFILIATIONS | Universidad de Valladolid |
| ORCID | 0000-0002-3751-8511 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Dramaturgy of Sexual Violence in the Repertory of Kenneth MacMillan
Kenneth MacMillan created scenes of non-consensual sex several times in his career. This article fleshes out the dramaturgical strategies behind those scenes, dissecting how MacMillan integrated them in the plot of his ballets and how he staged them. Additionally, it contextualizes them within the stage context of their time. The analysis of four ballets, The Invitation (1960), Mayerling (1978), Different Drummer (1984) and The Judas Tree (1992),…
Kenneth MacMillan and the Visual Arts
Using Kenneth MacMillan’s ballet The Invitation as a case study, this article focuses on the influence that cinema and painting exerted on his choreography. It examines how the visual imagery and techniques that came from the acknowledged audiovisual and pictorial sources of this ballet entered into his choreography. It also reveals that paintings by Francisco de Goya are highly probable, but previously unacknowledged, sources of the ballet. A fi…
Kenneth MacMillan and the Subject Matter of Ballet
Sex, violence, and visceral elements of similar dramatic tenor feature frequently in ballets by the British choreographer Kenneth MacMillan. Although he publicly acknowledged the decisive impact of John Osborne’s play Look Back in Anger on his artistic vision, little detail is known about how his inclination toward unconventional topics was formed. By revisiting primary and secondary sources about MacMillan’s life and career, and by considering t…
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Kenneth MacMillan and the Subject Matter of Ballet
Sex, violence, and visceral elements of similar dramatic tenor feature frequently in ballets by the British choreographer Kenneth MacMillan. Although he publicly acknowledged the decisive impact of John Osborne’s play Look Back in Anger on his artistic vision, little detail is known about how his inclination toward unconventional topics was formed. By revisiting primary and secondary sources about MacMillan’s life and career, and by considering t…
Kenneth MacMillan and the Visual Arts
Using Kenneth MacMillan’s ballet The Invitation as a case study, this article focuses on the influence that cinema and painting exerted on his choreography. It examines how the visual imagery and techniques that came from the acknowledged audiovisual and pictorial sources of this ballet entered into his choreography. It also reveals that paintings by Francisco de Goya are highly probable, but previously unacknowledged, sources of the ballet. A fi…
Dramaturgy of Sexual Violence in the Repertory of Kenneth MacMillan
Kenneth MacMillan created scenes of non-consensual sex several times in his career. This article fleshes out the dramaturgical strategies behind those scenes, dissecting how MacMillan integrated them in the plot of his ballets and how he staged them. Additionally, it contextualizes them within the stage context of their time. The analysis of four ballets, The Invitation (1960), Mayerling (1978), Different Drummer (1984) and The Judas Tree (1992),…
Art (3 works) · Art history (3 works) · Visual arts (3 works) · Ballet (2 works) · Cinema and Media Studies (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Performance art (2 works) · Sociology (2 works) · Theater, Performance, and Music History (2 works)