Daniela Perazzo Domm
Biographic Data
| ID | 6189954 |
|---|---|
| NAME | Daniela Perazzo Domm |
| GIVEN NAMES | Daniela Perazzo |
| FAMILY NAME | Domm |
| SIGNATURE | DOMM D P |
| AFFILIATIONS | Kingston University, London |
| ORCID | 0000-0002-3239-4038 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Autofictions in Co-labouring
In this co-authored text, the Dissonant Co-Labouring Key Group examines the difficulties, gaps, political slippages and entanglements of collaboration in its encounter with artistic and educational institutions. Engaging autofiction as a scholarly mode with different models of co-authorship, the Key Group move through critical engagements with working conditions, temporalities of labour and its instrumentalisation within and beyond universities a…
Diffracted Temporalities: Trajal Harrell’s other dance histories
This article engages with North-American choreographer Trajal Harrell's interrogation of the relationship between performed histories, presents and futures. Working with the new materialist concept of diffraction, it examines how his choreographies engage with crucial questions surrounding racial politics and the construction of history, arguing that his works are performative and imaginative enactments of an ethical responsibility to rethink dom…
RoseLee Goldberg, Performance Now: Live Art for the 21 st Century
Im/possible Choreographies: Diffractive Processes and Ethical Entanglements in Current British Dance Practices
This article considers the ethico-aesthetic potential of British choreographic practices that respond to questions raised by the current sociopolitical moment by staging im/possibilities and dis/orientation and by envisioning alternative understandings of the present. It embraces Karen Barad's new materialist onto-epistemology as an inspiring framework to discuss the significance of choreography that troubles accepted patterns of relationality an…
Im/possible Choreographies: Diffractive Processes and Ethical Entanglements in Current British Dance Practices
This article considers the ethico-aesthetic potential of British choreographic practices that respond to questions raised by the current sociopolitical moment by staging im/possibilities and dis/orientation and by envisioning alternative understandings of the present. It embraces Karen Barad's new materialist onto-epistemology as an inspiring framework to discuss the significance of choreography that troubles accepted patterns of relationality an…
RoseLee Goldberg, Performance Now: Live Art for the 21 st Century
Im/possible Choreographies: Diffractive Processes and Ethical Entanglements in Current British Dance Practices
This article considers the ethico-aesthetic potential of British choreographic practices that respond to questions raised by the current sociopolitical moment by staging im/possibilities and dis/orientation and by envisioning alternative understandings of the present. It embraces Karen Barad's new materialist onto-epistemology as an inspiring framework to discuss the significance of choreography that troubles accepted patterns of relationality an…
Diffracted Temporalities: Trajal Harrell’s other dance histories
This article engages with North-American choreographer Trajal Harrell's interrogation of the relationship between performed histories, presents and futures. Working with the new materialist concept of diffraction, it examines how his choreographies engage with crucial questions surrounding racial politics and the construction of history, arguing that his works are performative and imaginative enactments of an ethical responsibility to rethink dom…
Autofictions in Co-labouring
In this co-authored text, the Dissonant Co-Labouring Key Group examines the difficulties, gaps, political slippages and entanglements of collaboration in its encounter with artistic and educational institutions. Engaging autofiction as a scholarly mode with different models of co-authorship, the Key Group move through critical engagements with working conditions, temporalities of labour and its instrumentalisation within and beyond universities a…
Art (3 works) · Theatre and Performance Studies (3 works) · Aesthetics (2 works) · Dance (2 works) · Diversity and Impact of Dance (2 works) · Epistemology (2 works) · Materialism (2 works) · Philosophy (2 works) · Posthumanist Ethics and Activism (2 works) · Sociology (2 works)