Im/possible Choreographies
Diffractive Processes and Ethical Entanglements in Current British Dance Practices
Bibliographic Data
| ID | 11222682 |
|---|---|
| Authors | Daniela Perazzo Domm (0000-0002-3239-4038, corresponding author) |
| Year | 2019 |
| Volume | 51 |
| Issue | 3 |
| Pages | 66-83 |
| Publication date | 2019-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Dance Research Journal (JOURNAL) |
| Journal identifiers | ISSN: 0149-7677 • E-ISSN: 1940-509X |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0149767719000329 |
| OpenAlex | W2994048931 |
| Language | EN |
| Citations received | 2 |
| References cited | 20 |
This article considers the ethico-aesthetic potential of British choreographic practices that respond to questions raised by the current sociopolitical moment by staging im/possibilities and dis/orientation and by envisioning alternative understandings of the present. It embraces Karen Barad's new materialist onto-epistemology as an inspiring framework to discuss the significance of choreography that troubles accepted patterns of relationality and engages in a creative-critical remapping of experience
Aesthetics · Art · Choreography · Dance · Epistemology · Materialism · Sociology · Visual arts · Diversity and Impact of Dance · Philosophy · Posthumanist Ethics and Activism · Theatre and Performance Studies
The Oxford Handbook of Dance and Politics
Quantum Entanglements and Hauntological Relations of Inheritance
Posthumanist Performativity
Intra-active Entanglements – An Interview with Karen Barad
The ‘New Materialism’ and the Fragility of Things
Ethos of Diffraction
Material Traces
New Materialisms and Performance Studies
On Touching-the Inhuman That Therefore I Am
Specters of Marx
Vibrant Matter
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2020 - 2023 (4) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |