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Sarah Wilbur

Biographic Data

ID6190247
NAMESarah Wilbur
GIVEN NAMESSarah
FAMILY NAMEWilbur
SIGNATUREWILBUR S
AFFILIATIONSSarah Wilbur is a cross-sector dance maker and doctoral candidate in the Department of World Arts and Cultures/Dance at UCLA. Her research theorizes infrastructure as an embodied doing by cross-examining the vocational maneuvers of lifelong dance artists and major arts policy enactments across the 50-year lifespan of the US National Endowment for the Arts. Recent publications include: Performance Research, Art Health & the Military, and Journal of Emerging Dance Scholarship.
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2018
H-INDEX1
  • The Oxford Handbook of Dance and Politics

    Open Access•Sarah Wilbur•ARTICLE•Dance Research Journal•2018•References: 7

    At 656 pages wide and 31 authors deep, The Oxford Handbook of Dance and Politics collection contains a veritable who's who of US, UK, and EU dance scholarship. It also importantly documents the weight of the loss to the field of coeditor Randy Martin, whose materialist investigations of dance and politics influence the volume's contributions in powerful and explicit ways. Through the dedicated energies of Martin's fellow coeditors Rebekah Kowal a…

  • Does the NEA Need Saving

    Sarah Wilbur•ARTICLE•TDR/The Drama Review•2017

    What are the stakes in saving the NEA, today? Departing from the recent legislative back-and-forth between President Donald Trump and Congress over the budgetary future of the National Endowment for the Arts (NEA), this performance analysis of the NEA’s 31 March 2017 meeting of the National Council on the Arts reveals the complex political posturing that undergirds federal support for the arts in US culture

  • Gestural Economies and Production Pedagogies in Deaf West’s Spring Awakening

    Sarah Wilbur•ARTICLE•TDR/The Drama Review•2016

    In Deaf West’s Broadway revival of Spring Awakening, embodied gestures expose and challenge representational and infrastructural norms that drive commercial musical theatre. The company’s blend of ASL and spoken text extends the overarching message about failed sociocultural ideals to the realm of deaf culture. Micro-practical actions and interactions function tacitly to denaturalize audio-centric standards that guide theatrical reception, intern…

  • Dance for Veterans

    Sarah Wilbur, Hilary B Meyer et al.•ARTICLE•Arts & Health•2015•Cited by: 1•References: 2

    Background: Dance for Veterans, composed of physical, psychological and social elements, is a new patient-centered and recovery-oriented treatment modality for veterans diagnosed with serious mental illness; that is, chronic and functionally impairing psychoses, traumatic stress disorders, and mood and anxiety disorders. This report outlines the development of Dance for Veterans over the past several years within the VA Greater Los Angeles Health…

  • Dance for Veterans

    Sarah Wilbur, Hilary B Meyer et al.•ARTICLE•Arts & Health•2015•Cited by: 1•References: 2

    Background: Dance for Veterans, composed of physical, psychological and social elements, is a new patient-centered and recovery-oriented treatment modality for veterans diagnosed with serious mental illness; that is, chronic and functionally impairing psychoses, traumatic stress disorders, and mood and anxiety disorders. This report outlines the development of Dance for Veterans over the past several years within the VA Greater Los Angeles Health…

  • Dance for Veterans

    Sarah Wilbur, Hilary B Meyer et al.•ARTICLE•Arts & Health•2015•Cited by: 1•References: 2

    Background: Dance for Veterans, composed of physical, psychological and social elements, is a new patient-centered and recovery-oriented treatment modality for veterans diagnosed with serious mental illness; that is, chronic and functionally impairing psychoses, traumatic stress disorders, and mood and anxiety disorders. This report outlines the development of Dance for Veterans over the past several years within the VA Greater Los Angeles Health…

  • Gestural Economies and Production Pedagogies in Deaf West’s Spring Awakening

    Sarah Wilbur•ARTICLE•TDR/The Drama Review•2016

    In Deaf West’s Broadway revival of Spring Awakening, embodied gestures expose and challenge representational and infrastructural norms that drive commercial musical theatre. The company’s blend of ASL and spoken text extends the overarching message about failed sociocultural ideals to the realm of deaf culture. Micro-practical actions and interactions function tacitly to denaturalize audio-centric standards that guide theatrical reception, intern…

  • Does the NEA Need Saving

    Sarah Wilbur•ARTICLE•TDR/The Drama Review•2017

    What are the stakes in saving the NEA, today? Departing from the recent legislative back-and-forth between President Donald Trump and Congress over the budgetary future of the National Endowment for the Arts (NEA), this performance analysis of the NEA’s 31 March 2017 meeting of the National Council on the Arts reveals the complex political posturing that undergirds federal support for the arts in US culture

  • The Oxford Handbook of Dance and Politics

    Open Access•Sarah Wilbur•ARTICLE•Dance Research Journal•2018•References: 7

    At 656 pages wide and 31 authors deep, The Oxford Handbook of Dance and Politics collection contains a veritable who's who of US, UK, and EU dance scholarship. It also importantly documents the weight of the loss to the field of coeditor Randy Martin, whose materialist investigations of dance and politics influence the volume's contributions in powerful and explicit ways. Through the dedicated energies of Martin's fellow coeditors Rebekah Kowal a…

Law (3 works) · Political science (3 works) · Aesthetics (2 works) · Art (2 works) · Art Therapy and Mental Health (2 works) · Dance (2 works) · Politics (2 works) · Sociology (2 works) · Theatre and Performance Studies (2 works) · Visual arts (2 works)

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