Angela Kane
Biographic Data
| ID | 6190379 |
|---|---|
| NAME | Angela Kane |
| GIVEN NAMES | Angela |
| FAMILY NAME | Kane |
| SIGNATURE | KANE A |
| AFFILIATIONS | University of Roehampton |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Putting the Prague Agenda in Context
Episodes (1959)
This article investigates Episodes (1959), which was a co-production by the New York City Ballet and the Martha Graham Dance Company. It assesses the immediate and longer-term impact of the work, both conceptually and choreographically, and the extent to which it can be considered ‘a historic meeting of two dance worlds’, as the New York Post claimed at the time. The article also explores the motivations of the three key figures involved – George…
Through A Glass Darkly
Through a Glass Darkly
Heroes and Villains
Some of the ideas outlined below were first presented at the conference, Last Looks and First Words, in San Francisco in April 1999. The three-day conference coincided with a revival of Le Sacre du Printemps (The Rehearsal) at the Ycrba Buena Center for the Arts and it brought together dance critics, musicologists, and both current and former Taylor company personnel. I am indebted to many of the participants for their generous and insightful fee…
Heroes and Villains
Angela Kane, Heroes and Villains: Paul Taylor's "Le Sacre du Printemps (The Rehearsal)" and Other American Tales, Dance Research: The Journal of the Society for Dance Research, Vol. 17, No. 2 (Winter, 1999), pp. 47-72
Ii. Paul Taylor
Paul Taylor worked with various dance teachers and companies in New York during the 1950s while also exploring his own choreographic ideas: in pre-Judson, postmodern solos; in collaboration with artist Robert Rauschenberg; and with a small, frequently changing group of dancers. In 1962, he committed himself exclusively to his own choreography and to a full-time company, and through continued performance, the Paul Taylor Dance Company has preserve…
The Camargo Society Part I
Research into the Camargo Society was prompted by a dichotomy discovered in various texts on British ballet. While the majority of authors acknowledge the importance of this organisation, only passing reference is made to its existence. Even the many autobiographical accounts available gloss over the significance of such an organisation to the development of 20th century British ballet and the more informative sources are also the mostfrustrating…
Society for Dance Research (London, England; 10 February, 1 April, 12 May, 2 November, 1 December 1990)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Richard Alston
Richard Alston's first choreography, Transit, was created in February 1968. Since then, he has worked with a number of companies (in both classical and contemporary styles) and the number of works created by him has been considerable. His appointment as Resident Choreographer of Ballet Rambert' in May 1980 initiated Alston's longest consecutive association with one company. In 1989, he not only celebrates his twenty-first year as a choreographer …
No prominent works on this page.
Richard Alston
Richard Alston's first choreography, Transit, was created in February 1968. Since then, he has worked with a number of companies (in both classical and contemporary styles) and the number of works created by him has been considerable. His appointment as Resident Choreographer of Ballet Rambert' in May 1980 initiated Alston's longest consecutive association with one company. In 1989, he not only celebrates his twenty-first year as a choreographer …
Society for Dance Research (London, England; 10 February, 1 April, 12 May, 2 November, 1 December 1990)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Camargo Society Part I
Research into the Camargo Society was prompted by a dichotomy discovered in various texts on British ballet. While the majority of authors acknowledge the importance of this organisation, only passing reference is made to its existence. Even the many autobiographical accounts available gloss over the significance of such an organisation to the development of 20th century British ballet and the more informative sources are also the mostfrustrating…
Ii. Paul Taylor
Paul Taylor worked with various dance teachers and companies in New York during the 1950s while also exploring his own choreographic ideas: in pre-Judson, postmodern solos; in collaboration with artist Robert Rauschenberg; and with a small, frequently changing group of dancers. In 1962, he committed himself exclusively to his own choreography and to a full-time company, and through continued performance, the Paul Taylor Dance Company has preserve…
Heroes and Villains
Some of the ideas outlined below were first presented at the conference, Last Looks and First Words, in San Francisco in April 1999. The three-day conference coincided with a revival of Le Sacre du Printemps (The Rehearsal) at the Ycrba Buena Center for the Arts and it brought together dance critics, musicologists, and both current and former Taylor company personnel. I am indebted to many of the participants for their generous and insightful fee…
Heroes and Villains
Angela Kane, Heroes and Villains: Paul Taylor's "Le Sacre du Printemps (The Rehearsal)" and Other American Tales, Dance Research: The Journal of the Society for Dance Research, Vol. 17, No. 2 (Winter, 1999), pp. 47-72
Through A Glass Darkly
Through a Glass Darkly
Episodes (1959)
This article investigates Episodes (1959), which was a co-production by the New York City Ballet and the Martha Graham Dance Company. It assesses the immediate and longer-term impact of the work, both conceptually and choreographically, and the extent to which it can be considered ‘a historic meeting of two dance worlds’, as the New York Post claimed at the time. The article also explores the motivations of the three key figures involved – George…
Putting the Prague Agenda in Context
Art (9 works) · Dance (8 works) · Diversity and Impact of Dance (8 works) · Art history (7 works) · Musicology and Musical Analysis (7 works) · Visual arts (7 works) · Performance art (6 works) · Choreography (5 works) · Humanities (3 works) · Theater, Performance, and Music History (3 works)