Heroes and Villains
Paul Taylor's Le Sacredu Printemps (The Rehearsal) and Other American Tales
Bibliographic Data
| ID | 20457979 |
|---|---|
| Authors | Angela Kane (corresponding author) |
| Year | 1999 |
| Volume | 17 |
| Issue | 2 |
| Pages | 47-72 |
| Publication date | 1999-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Dance Research (JOURNAL) |
| Journal identifiers | ISSN: 0264-2875 • E-ISSN: 1750-0095 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/drs.1999.17.2.47 |
| OpenAlex | W2023678940 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
Some of the ideas outlined below were first presented at the conference, Last Looks and First Words, in San Francisco in April 1999. The three-day conference coincided with a revival of Le Sacre du Printemps (The Rehearsal) at the Ycrba Buena Center for the Arts and it brought together dance critics, musicologists, and both current and former Taylor company personnel. I am indebted to many of the participants for their generous and insightful feedback during the conference, and most particularly to Ruth Andrien, Bettie de Jong, Richard Chen See, John Tomlinson and Mr. Taylor himself Also, I am extremely grateful to Lois Greenfield, Jack Mitchell and Jack Vartoogian for granting permission to use their photographs here and to my Rochampton colleague, Damian Day, who helped me to obtain a copy of the piano version of Sacre in London and to analyse the score
Art · Art history · Dance · Humanities · Performance art · Piano · The arts · Visual arts · Diversity and Impact of Dance · Music History and Culture · Musicology and Musical Analysis
| Citations per year | 0.04 |
|---|---|
| Citation span | 2003 - 2003 (1) |
| Highly cited | No |