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Pei-Sze Chow

Biographic Data

ID6211355
NAMEPei-Sze Chow
GIVEN NAMESPei-Sze
FAMILY NAMEChow
SIGNATURECHOW P
AFFILIATIONSUniversity of Amsterdam
ORCID0000-0002-3580-3941
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS4
WORKS AS AUTHOR7
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Generative AI and creative practices

    Open Access•Pei-Sze Chow, Claudio Celis Bueno et al.•ARTICLE•Media Culture & Society•2026•References: 34

    This essay reflects on divergences and overlaps across two approaches—the industrial and the artistic —in current debates about generative AI and creative practices. We articulate some key differences between the two through the semantic variances in four keywords: technology , creativity , skill , and authorship . These keywords continue to be essential vocabulary in present interdisciplinary investigations into the impact of generative AI on cr…

  • Not “what”, but “where is creativity?”

    Open Access•Claudio Celis Bueno, Pei-Sze Chow et al.•ARTICLE•AI & Society•2025

    The recent emergence of generative AI software as viable tools for use in the cultural and creative industries has sparked debates about the potential for “creativity” to be automated and “augmented” by algorithmic machines. Such discussions, however, begin from an ontological position, attempting to define creativity by either falling prey to universalism (i.e. “creativity is X”) or reductionism (i.e. “only humans can be truly creative” or “huma…

  • The cloak of creativity

    Open Access•Pei-Sze Chow, Claudio Celis Bueno•ARTICLE•European Journal of Cultural…•2025•Cited by: 4•References: 4

    We critique the ways ‘creativity’ is harnessed by artificial intelligence companies, technologists, cultural producers, and even academics to justify a sense of urgency around the adoption of artificial intelligence tools in creative work. The creative industries have seen the rapid deployment of artificial intelligence-powered video generation tools such as Sora and Runway, accompanied by a broad communication and publicity campaign that emphasi…

  • Asian Cinema and the Use of Space

    Pei-Sze Chow•ARTICLE•Asian Cinema•2023

    Review of: Asian Cinema and the Use of Space: Interdisciplinary Perspectives , Lilian Chee and Edna Lim (eds) (2018) New York and London: Routledge, 268 pp., ISBN 978-1-13854-904-3, p/bk, £42.99

  • Transnational Screen Culture in Scandinavia

    Open Access•Pei-Sze Chow•BOOK•Transnational Screen Culture in…•2021

  • A History of Danish Cinema

    C Claire Thomson, Isak Thorsen et al.•EDITOR•BOOK•History of Danish Cinema•2021

    The contribution of Denmark to world cinema has been substantial: not just relative to the size of the population, but by any measure. In the silent period, the pioneering work of the company Nordisk Films Kompagni, and the emergence of early film stars such as Asta Nielsen, secured Denmark a place as a leading film nation. The auteur Carl Theodor Dreyer won global renown during his five-decade career. Documentary and educational filmmaking flour…

  • A History of Danish Cinema

    C Claire Thomson, Isak Thorsen et al.•EDITOR•BOOK•History of Danish Cinema•2021

    The first English-language book to cover Danish cinema from the 1890s to the present day Contextualises the work of renowned filmmakers including Carl Th. Dreyer, Lars von Trier, Thomas Vinterberg, Susanne Bier Discusses national genres and traditions, including popular comedies, heritage film, children’s film, porn, documentary and immigrant filmmakers Examines a range of film institutions and policies, including production companies, state supp…

  • Short Films

    Open Access•Pei-Sze Chow•CHAPTER•Transnational Screen Culture in…•2021

  • Nordisk films kompagni 1906–1924

    Pei-Sze Chow•ARTICLE•Early Popular Visual Culture•2018

  • The cloak of creativity

    Open Access•Pei-Sze Chow, Claudio Celis Bueno•ARTICLE•European Journal of Cultural…•2025•Cited by: 4•References: 4

    We critique the ways ‘creativity’ is harnessed by artificial intelligence companies, technologists, cultural producers, and even academics to justify a sense of urgency around the adoption of artificial intelligence tools in creative work. The creative industries have seen the rapid deployment of artificial intelligence-powered video generation tools such as Sora and Runway, accompanied by a broad communication and publicity campaign that emphasi…

  • Nordisk films kompagni 1906–1924

    Pei-Sze Chow•ARTICLE•Early Popular Visual Culture•2018

  • Transnational Screen Culture in Scandinavia

    Open Access•Pei-Sze Chow•BOOK•Transnational Screen Culture in…•2021

  • A History of Danish Cinema

    C Claire Thomson, Isak Thorsen et al.•EDITOR•BOOK•History of Danish Cinema•2021

    The contribution of Denmark to world cinema has been substantial: not just relative to the size of the population, but by any measure. In the silent period, the pioneering work of the company Nordisk Films Kompagni, and the emergence of early film stars such as Asta Nielsen, secured Denmark a place as a leading film nation. The auteur Carl Theodor Dreyer won global renown during his five-decade career. Documentary and educational filmmaking flour…

  • A History of Danish Cinema

    C Claire Thomson, Isak Thorsen et al.•EDITOR•BOOK•History of Danish Cinema•2021

    The first English-language book to cover Danish cinema from the 1890s to the present day Contextualises the work of renowned filmmakers including Carl Th. Dreyer, Lars von Trier, Thomas Vinterberg, Susanne Bier Discusses national genres and traditions, including popular comedies, heritage film, children’s film, porn, documentary and immigrant filmmakers Examines a range of film institutions and policies, including production companies, state supp…

  • Short Films

    Open Access•Pei-Sze Chow•CHAPTER•Transnational Screen Culture in…•2021

  • Asian Cinema and the Use of Space

    Pei-Sze Chow•ARTICLE•Asian Cinema•2023

    Review of: Asian Cinema and the Use of Space: Interdisciplinary Perspectives , Lilian Chee and Edna Lim (eds) (2018) New York and London: Routledge, 268 pp., ISBN 978-1-13854-904-3, p/bk, £42.99

  • Not “what”, but “where is creativity?”

    Open Access•Claudio Celis Bueno, Pei-Sze Chow et al.•ARTICLE•AI & Society•2025

    The recent emergence of generative AI software as viable tools for use in the cultural and creative industries has sparked debates about the potential for “creativity” to be automated and “augmented” by algorithmic machines. Such discussions, however, begin from an ontological position, attempting to define creativity by either falling prey to universalism (i.e. “creativity is X”) or reductionism (i.e. “only humans can be truly creative” or “huma…

  • The cloak of creativity

    Open Access•Pei-Sze Chow, Claudio Celis Bueno•ARTICLE•European Journal of Cultural…•2025•Cited by: 4•References: 4

    We critique the ways ‘creativity’ is harnessed by artificial intelligence companies, technologists, cultural producers, and even academics to justify a sense of urgency around the adoption of artificial intelligence tools in creative work. The creative industries have seen the rapid deployment of artificial intelligence-powered video generation tools such as Sora and Runway, accompanied by a broad communication and publicity campaign that emphasi…

  • Generative AI and creative practices

    Open Access•Pei-Sze Chow, Claudio Celis Bueno et al.•ARTICLE•Media Culture & Society•2026•References: 34

    This essay reflects on divergences and overlaps across two approaches—the industrial and the artistic —in current debates about generative AI and creative practices. We articulate some key differences between the two through the semantic variances in four keywords: technology , creativity , skill , and authorship . These keywords continue to be essential vocabulary in present interdisciplinary investigations into the impact of generative AI on cr…

Art (7 works) · Art history (4 works) · History (4 works) · Sociology (4 works) · Creativity (3 works) · Movie theater (3 works) · Philosophy (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Danish (2 works)

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