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Aline Verbeke

Biographic Data

ID6298019
NAMEAline Verbeke
GIVEN NAMESAline
FAMILY NAMEVerbeke
SIGNATUREVERBEKE A
AFFILIATIONSBrussels Research Centre on Innovation in Learning and Diversity (BILD), Educational Sciences, Vrije Universiteit Brussel (VUB), Brussels, Belgium
ORCID0000-0002-5237-4130
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2024
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Disability aesthetics in Belgian arts and disability practices

    Aline Verbeke, Julie Rodeyns et al.•ARTICLE•Research in Drama Education The…•2024

    The presence of non-disabled artists challenges the possibility of disability aesthetics in arts and disability projects. This study therefore examines the meaning of disability for the aesthetics of their collaborations and artistic practice through in-depth interviews with twelve Belgian non-disabled performing artists. The findings show that the collaborations often confirm their artistic practice in which the ‘able-bodied’ notion is no longer…

  • From “The Cotton Wool” to Criticality

    Geert Vandermeersche, Elvira Crois et al.•ARTICLE•Critical Arts•2024•References: 38

    This article discusses the relationship between the critical potential of the arts and dominant notions of criticality. Traditionally, "critical thinking" is often equated with rationality and deliberation. Feminist thought has criticized both the traditional notion of the public sphere for its exclusion of groups based on their modes of discourse, and critical thinking for its overreliance on a limited model of criticality that excludes affectiv…

No prominent works on this page.

  • Disability aesthetics in Belgian arts and disability practices

    Aline Verbeke, Julie Rodeyns et al.•ARTICLE•Research in Drama Education The…•2024

    The presence of non-disabled artists challenges the possibility of disability aesthetics in arts and disability projects. This study therefore examines the meaning of disability for the aesthetics of their collaborations and artistic practice through in-depth interviews with twelve Belgian non-disabled performing artists. The findings show that the collaborations often confirm their artistic practice in which the ‘able-bodied’ notion is no longer…

  • From “The Cotton Wool” to Criticality

    Geert Vandermeersche, Elvira Crois et al.•ARTICLE•Critical Arts•2024•References: 38

    This article discusses the relationship between the critical potential of the arts and dominant notions of criticality. Traditionally, "critical thinking" is often equated with rationality and deliberation. Feminist thought has criticized both the traditional notion of the public sphere for its exclusion of groups based on their modes of discourse, and critical thinking for its overreliance on a limited model of criticality that excludes affectiv…

Art (2 works) · Philosophy (2 works) · Sociology (2 works) · Ableism (1 work) · Aesthetics (1 work) · Applied Psychology (1 work) · Appropriation (1 work) · Archaeology (1 work) · Criticality (1 work) · Disability Rights and Representation (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae