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Disability aesthetics in Belgian arts and disability practices

A qualitative study from the perspective of the non-disabled, facilitating performing artists

Bibliographic Data

ID15081560
AuthorsAline Verbeke (0000-0002-5237-4130, Vrije Universiteit Brussel, Brussels, Belgium, corresponding author), Julie Rodeyns (0000-0002-1640-446X, Vrije Universiteit Brussel, Brussels, Belgium), Free De Backer (0000-0002-4196-5082, Vrije Universiteit Brussel, Brussels, Belgium)
Year2024
Volume29
Issue4
Pages654-674
Publication date2024-10-01
Open AccessNo
TypeARTICLE
VenueResearch in Drama Education The Journal of Applied Theatre and Performance (JOURNAL)
Journal identifiersISSN: 1356-9783 • E-ISSN: 1470-112X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13569783.2023.2249412
OpenAlexW4386416258
LanguageEN
References cited38

The presence of non-disabled artists challenges the possibility of disability aesthetics in arts and disability projects. This study therefore examines the meaning of disability for the aesthetics of their collaborations and artistic practice through in-depth interviews with twelve Belgian non-disabled performing artists. The findings show that the collaborations often confirm their artistic practice in which the ‘able-bodied’ notion is no longer of their interest. Yet beliefs are also observed that can reinforce ableist ideas and the aesthetic appropriation of disability. Disability aesthetics in arts and disability can only develop fully when structural barriers to disabled performers in the mainstream are removed

Ableism · Aesthetics · Appropriation · Art · Disability studies · Disabled people · Epistemology · Mainstream · Medical model of disability · Political science · Sociology · The arts · Visual arts · Applied Psychology · Disability Rights and Representation · Gender Studies · Inclusion and Disability in Education and Sport · Law · Philosophy · Psychology · Reconstructive Surgery and Microvascular Techniques

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Highly citedNo

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