Helmut Loos
Biographic Data
| ID | 6307079 |
|---|---|
| NAME | Helmut Loos |
| GIVEN NAMES | Helmut |
| FAMILY NAME | Loos |
| SIGNATURE | LOOS H |
| AFFILIATIONS | Leipzig University |
| ORCID | 0000-0002-4742-3639 |
| VERIFIED | Yes |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 16 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
“Describing the tragedy of existence” Structure and Meaning in Krzysztof Penderecki’s
Krzysztof Penderecki composed his Second Symphony in the winter of 1979/1980 amidst the Polish people’s dramatic struggle for freedom. Compositionally, the entire symphony is developed from a seven-note theme which, alongside a minor third, primarily consists of a chromatically ascending, three-note motif. Drawing on the tradition of musical rhetoric, this can be interpreted as the eternal struggle between new beginnings and optimism as opposed t…
Zum Gedenken an Klaus Wolfgang Niemöller (1929–2024)
Zur Entstehung der ukrainischen Nationalmusik bis Mykola Lysenko
Brutal repression long prevented the Ukrainian national movement, which began in the eighteenth century, from becoming more widely known. The Hetmanate of the Zaporozhian Cossacks became the model for the idea of the Ukrainian nation-state. Beginning with Wernyhora, the Cossack-portrayed as a blind singer, following the example of Homer and Ossian-initiated the identity of Ukrainian national consciousness with his mythical songs. Taras Shevchenko…
Die Tonarten der klassischen Vokalpolyphonie im Konflikt der deutschen Musikwissenschaft
Since its revival in German musicology in the 1950s, Renaissance research has been accompanied by a fundamental methodological dispute between Carl Dahlhaus and Bernhard Meier. In his habilitation thesis of 1968, Dahlhaus attacked Meier’s rigorously historical, early studies that were based on the definitive importance of church modes for sixteenth-century composition. Dahlhaus, on the other hand, propagated an authentic-plagal general mode in th…
Jiří Kopecký und Lenka Křupková
Schumann Briefedition
Zum Gedenken an Winfried Schrammek
Leitfigur Beethoven
Karlheinz Stockhausen 1 verarbeitete Beethoven-Aufnahmen bissig mit Kurzwellen. Dabei verfremdeten beide Kompositionen Beethovens in einer Weise, die zu Hochzeiten des Prinzips der Werktreue als niedertrchtig und beleidigend aufgefasst
Die kunstreligiöse Botschaft der Leipziger Musikwissenschaft im späten 19. und frühen 20. Jahrhundert
Musicology that developed in Leipzig played a key role in contributing to the reputation of this city of music throughout Europe. In a tragic way, its development was fatally attached to the traditional idea of music being an established part of artistically religious general education. The importance of music as “serious and holy music” was thus assured, which became an essential factor in its sacralisation
Beethoven und der Fortschrittsgedanke
The bourgeois/middle-class Modernity chose music for its art-as-religion and made Beethoven the key figure of its ideals. As a consequence, the “romantic image of Beethoven” (Arnold Schmitz) idealizes the composer as being freed of all earthly restrains. The notion of progress was one of the main ideas of this social movement and it was projected on Beethoven and totalized with his music. This process is demonstrated and explained with selected e…
Koncertne orgle v Leipzigu
Koncertne dvorane, nujni pogoj za koncertne orgle, so bile po revolucionarnem razvoju v Angliji od poznega 17. stoletja na celini najprej nameščene v Hamburgu (1761) in Leipzigu (1781). Druge primere najdemo v zbirki instrumentov Univerze in Akademije za glasbo s številnimi koncertnimi orglami
Hölderlin kot spomenik umetnosti 19. in 20. stoletja
Naj Hölderlinovemu pesništvu pripisujemo še tako tehtne glasbene kvalitete, kljub temu ni bil preferenčen pesnik romantičnega samospeva. Že njegovi sodobni skladatelji, kot npr. Ludwig van Beethoven, ga niso upoštevali. Izjemo predstavlja Robert Schumann, ki ga je Hölderlin že v njegovi mladosti popolnoma očaral
Ideen und Ideale. Johann Gottfried Herder in Ost und West
Form und Ausdruck bei Prokofjew
in ein neues Stadium getreten ist, eroffnet sich auch auf kulturellem Gebiet die Moglichkeit, sich uber bislang strittige Themen zu verstandigen oder zumindest den Dialog, der ja nie ganz abgebrochen war, neu zu beleben. Dies bezieht sich in der Musikwissenschaft, die beispielsweise durch Kongresse die Chance wechselseitigen Austauschs wahrnimmt, zunachst auf die grundsatzlich unterschiedlichen Positionen des sozialistischen Realismus und burgerl…
Classic Preoccupations
Zu Richard Wagner
No prominent works on this page.
Zu Richard Wagner
Form und Ausdruck bei Prokofjew
in ein neues Stadium getreten ist, eroffnet sich auch auf kulturellem Gebiet die Moglichkeit, sich uber bislang strittige Themen zu verstandigen oder zumindest den Dialog, der ja nie ganz abgebrochen war, neu zu beleben. Dies bezieht sich in der Musikwissenschaft, die beispielsweise durch Kongresse die Chance wechselseitigen Austauschs wahrnimmt, zunachst auf die grundsatzlich unterschiedlichen Positionen des sozialistischen Realismus und burgerl…
Classic Preoccupations
Ideen und Ideale. Johann Gottfried Herder in Ost und West
Hölderlin kot spomenik umetnosti 19. in 20. stoletja
Naj Hölderlinovemu pesništvu pripisujemo še tako tehtne glasbene kvalitete, kljub temu ni bil preferenčen pesnik romantičnega samospeva. Že njegovi sodobni skladatelji, kot npr. Ludwig van Beethoven, ga niso upoštevali. Izjemo predstavlja Robert Schumann, ki ga je Hölderlin že v njegovi mladosti popolnoma očaral
Koncertne orgle v Leipzigu
Koncertne dvorane, nujni pogoj za koncertne orgle, so bile po revolucionarnem razvoju v Angliji od poznega 17. stoletja na celini najprej nameščene v Hamburgu (1761) in Leipzigu (1781). Druge primere najdemo v zbirki instrumentov Univerze in Akademije za glasbo s številnimi koncertnimi orglami
Die kunstreligiöse Botschaft der Leipziger Musikwissenschaft im späten 19. und frühen 20. Jahrhundert
Musicology that developed in Leipzig played a key role in contributing to the reputation of this city of music throughout Europe. In a tragic way, its development was fatally attached to the traditional idea of music being an established part of artistically religious general education. The importance of music as “serious and holy music” was thus assured, which became an essential factor in its sacralisation
Beethoven und der Fortschrittsgedanke
The bourgeois/middle-class Modernity chose music for its art-as-religion and made Beethoven the key figure of its ideals. As a consequence, the “romantic image of Beethoven” (Arnold Schmitz) idealizes the composer as being freed of all earthly restrains. The notion of progress was one of the main ideas of this social movement and it was projected on Beethoven and totalized with his music. This process is demonstrated and explained with selected e…
Leitfigur Beethoven
Karlheinz Stockhausen 1 verarbeitete Beethoven-Aufnahmen bissig mit Kurzwellen. Dabei verfremdeten beide Kompositionen Beethovens in einer Weise, die zu Hochzeiten des Prinzips der Werktreue als niedertrchtig und beleidigend aufgefasst
Zum Gedenken an Winfried Schrammek
Jiří Kopecký und Lenka Křupková
Schumann Briefedition
Die Tonarten der klassischen Vokalpolyphonie im Konflikt der deutschen Musikwissenschaft
Since its revival in German musicology in the 1950s, Renaissance research has been accompanied by a fundamental methodological dispute between Carl Dahlhaus and Bernhard Meier. In his habilitation thesis of 1968, Dahlhaus attacked Meier’s rigorously historical, early studies that were based on the definitive importance of church modes for sixteenth-century composition. Dahlhaus, on the other hand, propagated an authentic-plagal general mode in th…
Zur Entstehung der ukrainischen Nationalmusik bis Mykola Lysenko
Brutal repression long prevented the Ukrainian national movement, which began in the eighteenth century, from becoming more widely known. The Hetmanate of the Zaporozhian Cossacks became the model for the idea of the Ukrainian nation-state. Beginning with Wernyhora, the Cossack-portrayed as a blind singer, following the example of Homer and Ossian-initiated the identity of Ukrainian national consciousness with his mythical songs. Taras Shevchenko…
“Describing the tragedy of existence” Structure and Meaning in Krzysztof Penderecki’s
Krzysztof Penderecki composed his Second Symphony in the winter of 1979/1980 amidst the Polish people’s dramatic struggle for freedom. Compositionally, the entire symphony is developed from a seven-note theme which, alongside a minor third, primarily consists of a chromatically ascending, three-note motif. Drawing on the tradition of musical rhetoric, this can be interpreted as the eternal struggle between new beginnings and optimism as opposed t…
Zum Gedenken an Klaus Wolfgang Niemöller (1929–2024)
Art (12 works) · Philosophy (10 works) · Musicology and Musical Analysis (8 works) · Humanities (7 works) · Literature (5 works) · Art history (4 works) · Arts, Culture, and Music Studies (4 works) · German Literature and Culture Studies (3 works) · Computer Science (2 works) · Diverse Musicological Studies (2 works)