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Rhona Richman Kenneally

Biographic Data

ID639653
NAMERhona Richman Kenneally
GIVEN NAMESRhona Richman
FAMILY NAMEKenneally
SIGNATUREKENNEALLY R R
AFFILIATIONSConcordia University
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS5
WORKS AS AUTHOR3
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2015
H-INDEX2
  • Towards a new domestic architecture

    Rhona Richman Kenneally, Rhona Richman Kenneally Rhona Richman Kenneally•ARTICLE•Proceedings of the Royal Irish…•2015

    Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature - Volume 115C, 2015

  • Tastes of Home in Mid-Twentieth-Century Ireland

    Rhona Richman Kenneally•ARTICLE•Food and Foodways•2015•Cited by: 2

    This article focuses on promotional incentives to embed new technologies—represented in this case by the refrigerator—and modern kitchen design in mid-twentieth-century Irish homes to consider how taste might have stimulated the trajectory through which these incursions of modernity ultimately became normalized in the Irish domestic foodscape. Strategies that called upon taste both as a gustatory experience and as a quality associated with some s…

  • Expo 67

    Rhona Richman Kenneally, Johanne Sloan•EDITOR•BOOK•Expo 67•2010

  • The Cuisine of the Tundra

    Rhona Richman Kenneally•ARTICLE•Food Culture & Society•2008•Cited by: 3

    During the long decade of the 1960s, Canadian cultural icons were sought as a means of crystallizing a cohesive national identity. At Expo 67, Canada's centenary celebration in Montreal, the Canada Pavilion—the principal display area of the host country—was uniquely positioned to frame the idea of “unity and diversity” among the nation's subcultures, and its two restaurants can be interrogated as displaying what may be described as a national cul…

  • The Cuisine of the Tundra

    Rhona Richman Kenneally•ARTICLE•Food Culture & Society•2008•Cited by: 3

    During the long decade of the 1960s, Canadian cultural icons were sought as a means of crystallizing a cohesive national identity. At Expo 67, Canada's centenary celebration in Montreal, the Canada Pavilion—the principal display area of the host country—was uniquely positioned to frame the idea of “unity and diversity” among the nation's subcultures, and its two restaurants can be interrogated as displaying what may be described as a national cul…

  • Tastes of Home in Mid-Twentieth-Century Ireland

    Rhona Richman Kenneally•ARTICLE•Food and Foodways•2015•Cited by: 2

    This article focuses on promotional incentives to embed new technologies—represented in this case by the refrigerator—and modern kitchen design in mid-twentieth-century Irish homes to consider how taste might have stimulated the trajectory through which these incursions of modernity ultimately became normalized in the Irish domestic foodscape. Strategies that called upon taste both as a gustatory experience and as a quality associated with some s…

  • The Cuisine of the Tundra

    Rhona Richman Kenneally•ARTICLE•Food Culture & Society•2008•Cited by: 3

    During the long decade of the 1960s, Canadian cultural icons were sought as a means of crystallizing a cohesive national identity. At Expo 67, Canada's centenary celebration in Montreal, the Canada Pavilion—the principal display area of the host country—was uniquely positioned to frame the idea of “unity and diversity” among the nation's subcultures, and its two restaurants can be interrogated as displaying what may be described as a national cul…

  • Expo 67

    Rhona Richman Kenneally, Johanne Sloan•EDITOR•BOOK•Expo 67•2010

  • Towards a new domestic architecture

    Rhona Richman Kenneally, Rhona Richman Kenneally Rhona Richman Kenneally•ARTICLE•Proceedings of the Royal Irish…•2015

    Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature - Volume 115C, 2015

  • Tastes of Home in Mid-Twentieth-Century Ireland

    Rhona Richman Kenneally•ARTICLE•Food and Foodways•2015•Cited by: 2

    This article focuses on promotional incentives to embed new technologies—represented in this case by the refrigerator—and modern kitchen design in mid-twentieth-century Irish homes to consider how taste might have stimulated the trajectory through which these incursions of modernity ultimately became normalized in the Irish domestic foodscape. Strategies that called upon taste both as a gustatory experience and as a quality associated with some s…

History (3 works) · Sociology (3 works) · Archaeology (2 works) · Art history (2 works) · Culinary Culture and Tourism (2 works) · Economics (2 works) · Exhibition (2 works) · Law (2 works) · Media studies (2 works) · Political science (2 works)

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