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Jody Berland

Biographic Data

ID640249
NAMEJody Berland
GIVEN NAMESJody
FAMILY NAMEBerland
SIGNATUREBERLAND J
AFFILIATIONSYork University
VERIFIEDNo
TOTAL WORKS22
TOTAL CITATIONS29
AUTHOR COUNT21
EDITOR COUNT1
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2019
H-INDEX2
  • McLuhan and Posthumanism: Extending the Techno-Animal Embrace

    Open Access•Jody Berland•ARTICLE•Canadian Journal of Communication•2019

    Background This article builds on McLuhan’s medium theory to address the undertheorized role of animals as mediators in network cultures.Analysis McLuhan’s medium theory aligns with and to some extent anticipates contemporary discussion about posthumanist thought that recognizes that human perception and experience are shaped by and extended through non-human tools and connections. Both digital culture and the endangered status of the natural wor…

  • Tab: Take Academia Back

    Open Access•Jody Berland•ARTICLE•Canadian Journal of Communication•2017

  • Attending the Giraffe

    Open Access•Jody Berland•ARTICLE•Humanimalia•2017•References: 4

    In this article I compare the story of the first contact tribute giraffe sent from Bengal to China in 1414 with the story of April, the famously web-cam pregnant giraffe of 2017. Both giraffes were transported by new technologies that brought together geographically dispersed people through a notable event. Both giraffes had to be conveyed from natural habitats into confinement, from distance into quasi-intimacy with European and global observers…

  • North of Empire: Essays on the Cultural Technologies of Space

    Open Access•Jody Berland•BOOK•North of Empire•2009

  • Animal and/as Medium: Symbolic Work in Communicative Regimes

    Jody Berland•ARTICLE•The Global South•2009•Cited by: 1•References: 6

    This paper addresses the widespread imagery of animals in contemporary media culture. Focusing on advertising for cell phones, it suggests that dogs and monkeys mediating between phones and users carry pedagogical messages that work across and underneath the surfaces of corporate advertising. Images from this well orchestrated campaign reveal a shift in how technologies are marketed to youths. Analyzing first the rhetoric and then the connective …

  • The elephant in the classroom

    Jody Berland•ARTICLE•International Journal of…•2009•References: 2

    Chronic fatigue syndrome/myalgic encephalomyelitis (CFE/ME) is an invisible disability that forces researchers to delineate new boundaries between illness and impairment, and between medical knowledge and patients’ experience. As a neurological impairment, this condition attacks memory and cognition, which paradoxically become the focus of patients’ own accounts of their experience and understanding. This paper addresses the pedagogical implicati…

  • Cat and Mouse: Iconographics of Nature and Desire

    Jody Berland•ARTICLE•Cultural Studies•2008•Cited by: 4•References: 13

    The popularity of digital cat photographs circulating through the Internet and across North American visual culture provides an occasion for a critical exploration of human–cat relations in contemporary culture. The representation of animals in traditional and digital photography is discussed in relation to the technologies of visual culture, human–animal relations, the companion animals debate, the social history of cats, and species interaction…

  • Capital Culture: A Reader on Modernist Legacies, State Institutions, and the Value(s) of Art

    Jody Berland•ARTICLE•Canadian Journal of Communication•2002

  • Writing on the Border

    Jody Berland•ARTICLE•CR The New Centennial Review•2001

    I WAS TWELVE WHEN I FIRST CROSSED THE BORDER FROM THE UNITEDSTATES into Canada. My American classmates viewed my departure to that country with a combination of envy and alarm. Like them I would not have been surprised to find igloos in the towns with the streets full of dog sleds. My ignorance about my new country was astounding

  • Capital Culture: A Reader on Modernist Legacies, State Institutions, and the Value(s) of Art

    Jody Berland, Shelley Hornstein•BOOK•Capital Culture•2000

    The twelve essays in the collection address cultural theory, aesthetics, and policy issues related to the economics of art in the context of globalization and the spreading influence of the practices and ideologies of market culture. With particular reference to Canada, they question whether these shifts and the rise of new media technologies are endangering or enriching public participation, democratic negotiation, and cultural diversity. The bo…

  • Capital Culture: A Reader on Modernist Legacies, State Institutions, and the Value of Art

    Jody Berland, Shelley Hornstein•BOOK•Capital Culture•2000

  • Nationalism and the Modernist Legacy: Dialogues with Innis

    Jody Berland•CHAPTER•Capital Culture•2000

  • Topia: A Canadian Journal of Cultural Studies, 1, No.1

    Jody Berland, Will Straw•ARTICLE•Canadian Journal of Communication•1998

  • Theory Rules: Art as Theory/Theory and Art

    Jody Berland, Will Straw et al.•ARTICLE•Canadian Journal of Communication•1998

  • Politics after Nationalism, Culture after ‘Culture’

    Jody Berland•ARTICLE•Canadian Review of American Studies•1997•References: 1

    English Canadian nationhood and its occasional eruptions into patriotismcarry little resemblance to the nationalisms I see described in newspapers orin social or cultural theory. It doesn't matter whether such theory analysesthe classic modernist nationalisms of an earlier era, or more contemporarythemes informed by postcolonial theory. It also seems to make no differencewhether the 'nation' in question is posited as an imperial or as an anti-imp…

  • "Politics after Nationalism, Culture after "Culture

    Open Access•Jody Berland•ARTICLE•Canadian Review of American Studies•1997

  • On environmental matters

    Jody Berland, Jennifer Daryl Slack•ARTICLE•Cultural Studies•1994

  • On reading ‘The weather’

    Jody Berland•ARTICLE•Cultural Studies•1994

  • Free trade and Canadian music: Level playing field or scorched earth

    Jody Berland•ARTICLE•Cultural Studies•1991

    (1991). Free trade and Canadian music: Level playing field or scorched earth? Cultural Studies: Vol. 5, No. 3, pp. 317-325

  • Radio space and industrial time: Music Formats, Local Narratives and Technological Mediation

    Open Access•Jody Berland•ARTICLE•Popular Music•1990•Cited by: 22•References: 10

    Radio is commonly referred to as a 'secondary medium' in the broadcasting industry. The phrase conveys the industry's pragmatic view that no one cares whether you listen to radio so long as you do not turn it off. Since it has been displaced by television, radio is expected to accommodate itself technologically and discursively to every situation. Are you brushing your teeth, turning the corner, buying or selling jeans or entering inventory into …

  • Locating listening: Technological space, popular music, Canadian mediations

    Jody Berland•ARTICLE•Cultural Studies•1988

    Because of the traditional relationship between places and situations, group identities have usually been closely linked to shared but special access to physical locations. ... By severing the traditional link between physical location and social situation, electronic media may begin to blur previously distinct group identities by allowing people to ‘escape’ informationally from place-defined groups and by permitting outsiders to ‘invade’ many gr…

  • Sound, Image, and Social Space: Rock Video and Media Reconstruction

    Open Access•Jody Berland•ARTICLE•Journal of Communication Inquiry•1986•Cited by: 2

  • Radio space and industrial time: Music Formats, Local Narratives and Technological Mediation

    Open Access•Jody Berland•ARTICLE•Popular Music•1990•Cited by: 22•References: 10

    Radio is commonly referred to as a 'secondary medium' in the broadcasting industry. The phrase conveys the industry's pragmatic view that no one cares whether you listen to radio so long as you do not turn it off. Since it has been displaced by television, radio is expected to accommodate itself technologically and discursively to every situation. Are you brushing your teeth, turning the corner, buying or selling jeans or entering inventory into …

  • Cat and Mouse: Iconographics of Nature and Desire

    Jody Berland•ARTICLE•Cultural Studies•2008•Cited by: 4•References: 13

    The popularity of digital cat photographs circulating through the Internet and across North American visual culture provides an occasion for a critical exploration of human–cat relations in contemporary culture. The representation of animals in traditional and digital photography is discussed in relation to the technologies of visual culture, human–animal relations, the companion animals debate, the social history of cats, and species interaction…

  • Sound, Image, and Social Space: Rock Video and Media Reconstruction

    Open Access•Jody Berland•ARTICLE•Journal of Communication Inquiry•1986•Cited by: 2

  • Animal and/as Medium: Symbolic Work in Communicative Regimes

    Jody Berland•ARTICLE•The Global South•2009•Cited by: 1•References: 6

    This paper addresses the widespread imagery of animals in contemporary media culture. Focusing on advertising for cell phones, it suggests that dogs and monkeys mediating between phones and users carry pedagogical messages that work across and underneath the surfaces of corporate advertising. Images from this well orchestrated campaign reveal a shift in how technologies are marketed to youths. Analyzing first the rhetoric and then the connective …

  • Sound, Image, and Social Space: Rock Video and Media Reconstruction

    Open Access•Jody Berland•ARTICLE•Journal of Communication Inquiry•1986•Cited by: 2

  • Locating listening: Technological space, popular music, Canadian mediations

    Jody Berland•ARTICLE•Cultural Studies•1988

    Because of the traditional relationship between places and situations, group identities have usually been closely linked to shared but special access to physical locations. ... By severing the traditional link between physical location and social situation, electronic media may begin to blur previously distinct group identities by allowing people to ‘escape’ informationally from place-defined groups and by permitting outsiders to ‘invade’ many gr…

  • Radio space and industrial time: Music Formats, Local Narratives and Technological Mediation

    Open Access•Jody Berland•ARTICLE•Popular Music•1990•Cited by: 22•References: 10

    Radio is commonly referred to as a 'secondary medium' in the broadcasting industry. The phrase conveys the industry's pragmatic view that no one cares whether you listen to radio so long as you do not turn it off. Since it has been displaced by television, radio is expected to accommodate itself technologically and discursively to every situation. Are you brushing your teeth, turning the corner, buying or selling jeans or entering inventory into …

  • Free trade and Canadian music: Level playing field or scorched earth

    Jody Berland•ARTICLE•Cultural Studies•1991

    (1991). Free trade and Canadian music: Level playing field or scorched earth? Cultural Studies: Vol. 5, No. 3, pp. 317-325

  • On environmental matters

    Jody Berland, Jennifer Daryl Slack•ARTICLE•Cultural Studies•1994

  • On reading ‘The weather’

    Jody Berland•ARTICLE•Cultural Studies•1994

  • Politics after Nationalism, Culture after ‘Culture’

    Jody Berland•ARTICLE•Canadian Review of American Studies•1997•References: 1

    English Canadian nationhood and its occasional eruptions into patriotismcarry little resemblance to the nationalisms I see described in newspapers orin social or cultural theory. It doesn't matter whether such theory analysesthe classic modernist nationalisms of an earlier era, or more contemporarythemes informed by postcolonial theory. It also seems to make no differencewhether the 'nation' in question is posited as an imperial or as an anti-imp…

  • "Politics after Nationalism, Culture after "Culture

    Open Access•Jody Berland•ARTICLE•Canadian Review of American Studies•1997

  • Topia: A Canadian Journal of Cultural Studies, 1, No.1

    Jody Berland, Will Straw•ARTICLE•Canadian Journal of Communication•1998

  • Theory Rules: Art as Theory/Theory and Art

    Jody Berland, Will Straw et al.•ARTICLE•Canadian Journal of Communication•1998

  • Capital Culture: A Reader on Modernist Legacies, State Institutions, and the Value(s) of Art

    Jody Berland, Shelley Hornstein•BOOK•Capital Culture•2000

    The twelve essays in the collection address cultural theory, aesthetics, and policy issues related to the economics of art in the context of globalization and the spreading influence of the practices and ideologies of market culture. With particular reference to Canada, they question whether these shifts and the rise of new media technologies are endangering or enriching public participation, democratic negotiation, and cultural diversity. The bo…

  • Capital Culture: A Reader on Modernist Legacies, State Institutions, and the Value of Art

    Jody Berland, Shelley Hornstein•BOOK•Capital Culture•2000

  • Nationalism and the Modernist Legacy: Dialogues with Innis

    Jody Berland•CHAPTER•Capital Culture•2000

  • Writing on the Border

    Jody Berland•ARTICLE•CR The New Centennial Review•2001

    I WAS TWELVE WHEN I FIRST CROSSED THE BORDER FROM THE UNITEDSTATES into Canada. My American classmates viewed my departure to that country with a combination of envy and alarm. Like them I would not have been surprised to find igloos in the towns with the streets full of dog sleds. My ignorance about my new country was astounding

  • Capital Culture: A Reader on Modernist Legacies, State Institutions, and the Value(s) of Art

    Jody Berland•ARTICLE•Canadian Journal of Communication•2002

  • Cat and Mouse: Iconographics of Nature and Desire

    Jody Berland•ARTICLE•Cultural Studies•2008•Cited by: 4•References: 13

    The popularity of digital cat photographs circulating through the Internet and across North American visual culture provides an occasion for a critical exploration of human–cat relations in contemporary culture. The representation of animals in traditional and digital photography is discussed in relation to the technologies of visual culture, human–animal relations, the companion animals debate, the social history of cats, and species interaction…

  • North of Empire: Essays on the Cultural Technologies of Space

    Open Access•Jody Berland•BOOK•North of Empire•2009

  • Animal and/as Medium: Symbolic Work in Communicative Regimes

    Jody Berland•ARTICLE•The Global South•2009•Cited by: 1•References: 6

    This paper addresses the widespread imagery of animals in contemporary media culture. Focusing on advertising for cell phones, it suggests that dogs and monkeys mediating between phones and users carry pedagogical messages that work across and underneath the surfaces of corporate advertising. Images from this well orchestrated campaign reveal a shift in how technologies are marketed to youths. Analyzing first the rhetoric and then the connective …

  • The elephant in the classroom

    Jody Berland•ARTICLE•International Journal of…•2009•References: 2

    Chronic fatigue syndrome/myalgic encephalomyelitis (CFE/ME) is an invisible disability that forces researchers to delineate new boundaries between illness and impairment, and between medical knowledge and patients’ experience. As a neurological impairment, this condition attacks memory and cognition, which paradoxically become the focus of patients’ own accounts of their experience and understanding. This paper addresses the pedagogical implicati…

  • Tab: Take Academia Back

    Open Access•Jody Berland•ARTICLE•Canadian Journal of Communication•2017

  • Attending the Giraffe

    Open Access•Jody Berland•ARTICLE•Humanimalia•2017•References: 4

    In this article I compare the story of the first contact tribute giraffe sent from Bengal to China in 1414 with the story of April, the famously web-cam pregnant giraffe of 2017. Both giraffes were transported by new technologies that brought together geographically dispersed people through a notable event. Both giraffes had to be conveyed from natural habitats into confinement, from distance into quasi-intimacy with European and global observers…

  • McLuhan and Posthumanism: Extending the Techno-Animal Embrace

    Open Access•Jody Berland•ARTICLE•Canadian Journal of Communication•2019

    Background This article builds on McLuhan’s medium theory to address the undertheorized role of animals as mediators in network cultures.Analysis McLuhan’s medium theory aligns with and to some extent anticipates contemporary discussion about posthumanist thought that recognizes that human perception and experience are shaped by and extended through non-human tools and connections. Both digital culture and the endangered status of the natural wor…

Sociology (13 works) · Political science (9 works) · Art (8 works) · History (8 works) · Aesthetics (5 works) · Computer Science (5 works) · Social science (5 works) · Law (4 works) · Literature (4 works) · Media studies (4 works)

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