Noriko Ishida
Biographic Data
| ID | 641982 |
|---|---|
| NAME | Noriko Ishida |
| GIVEN NAMES | Noriko |
| FAMILY NAME | Ishida |
| SIGNATURE | ISHIDA N |
| AFFILIATIONS | 1. [email protected] |
| ORCID | 0000-0001-9898-6610 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
The Music of Bedhaya Anduk: A Lost Treasure Rediscovered
A Stage in the Development of Central Javanese Gamelan Music: The introduction of notation and some of its consequences
Widyaswara, a staff notation for vocal music of Central Java that was developed in the second half of the 19th century, gave birth to a somewhat unpopular notation for gamelan compositions called nut rante. But the cipher notation called nut angka, invented towards the end of the 19th century as an innovation of nut rante, became very popular among both professional and amateur musicians. It not only caused changes in performance practice and the…
The textures of Central Javanese gamelan music: Pre-notation and its discontents
This study is an attempt to elucidate what kind of melody the texture of gamelan music is made up of. Through the reconstruction of the melodic texture of the pre-notation era and the examination of the impact of notation on performance practice, it is made clear that the monogenetic texture of the pre-notation era has developed into the diversified and enriched texture of current practice in response to the use of notation. The notion of an inne…
The textures of Central Javanese gamelan music: Pre-notation and its discontents
This study is an attempt to elucidate what kind of melody the texture of gamelan music is made up of. Through the reconstruction of the melodic texture of the pre-notation era and the examination of the impact of notation on performance practice, it is made clear that the monogenetic texture of the pre-notation era has developed into the diversified and enriched texture of current practice in response to the use of notation. The notion of an inne…
The textures of Central Javanese gamelan music: Pre-notation and its discontents
This study is an attempt to elucidate what kind of melody the texture of gamelan music is made up of. Through the reconstruction of the melodic texture of the pre-notation era and the examination of the impact of notation on performance practice, it is made clear that the monogenetic texture of the pre-notation era has developed into the diversified and enriched texture of current practice in response to the use of notation. The notion of an inne…
A Stage in the Development of Central Javanese Gamelan Music: The introduction of notation and some of its consequences
Widyaswara, a staff notation for vocal music of Central Java that was developed in the second half of the 19th century, gave birth to a somewhat unpopular notation for gamelan compositions called nut rante. But the cipher notation called nut angka, invented towards the end of the 19th century as an innovation of nut rante, became very popular among both professional and amateur musicians. It not only caused changes in performance practice and the…
The Music of Bedhaya Anduk: A Lost Treasure Rediscovered
Art (3 works) · Diverse Musicological Studies (3 works) · Archaeology (2 works) · History (2 works) · Linguistics (2 works) · Musical (2 works) · Musical notation (2 works) · Notation (2 works) · Philosophy (2 works) · Visual arts (2 works)