The textures of Central Javanese gamelan music
Pre-notation and its discontents
Bibliographic Data
| ID | 7668372 |
|---|---|
| Authors | Noriko Ishida (0000-0001-9898-6610, 1. [email protected], corresponding author) |
| Year | 2008 |
| Volume | 164 |
| Issue | 4 |
| Pages | 475-499 |
| Publication date | 2008-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Bijdragen tot de taal- land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia (JOURNAL) |
| Journal identifiers | ISSN: 0006-2294 • E-ISSN: 2213-4379 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/22134379-90003652 |
| OpenAlex | W2089531566 |
| Language | EN |
| Citations received | 5 |
| References cited | 5 |
This study is an attempt to elucidate what kind of melody the texture of gamelan music is made up of. Through the reconstruction of the melodic texture of the pre-notation era and the examination of the impact of notation on performance practice, it is made clear that the monogenetic texture of the pre-notation era has developed into the diversified and enriched texture of current practice in response to the use of notation. The notion of an inner melody present in the performer’s mind as a basis for his performance is shown to be less than probable
Art · Image (mathematics · Linguistics · Melody · Musical · Musical notation · Notation · Performance Practice · Performing arts · Texture (cosmology · Visual arts · Artificial Intelligence · Computer Science · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis · Philosophy
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,31 |
| Citation span | 2010 - 2026 (17) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 5 |