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Martin Warnke

Biographic Data

ID642802
NAMEMartin Warnke
GIVEN NAMESMartin
FAMILY NAMEWarnke
SIGNATUREWARNKE M
AFFILIATIONSLeuphana University of Lüneburg
ORCID0000-0003-3500-4354
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS3
WORKS AS AUTHOR11
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Der Quantencomputer

    Christoph Ernst, Jens Schröter et al.•ARTICLE•Zfk - Zeitschrift für Kulturwissens…•2022

  • Quantum Computing and the Analog/Digital Distinction

    Jens Schröter, Christoph Ernst et al.•ARTICLE•Grey Room•2022

    February 23 2022 Quantum Computing and the Analog/Digital Distinction Jens Schröter, Jens Schröter Jens Schröter is Chair for Media Studies in the Department of Media Studies at the University of Bonn. His research interests include history and theory of digital media; three-dimensional imaging; media and imagination; and future media and future studies. Most recently, he is author, with Christoph Ernst, of Media Futures: Theory and Aesthetics (P…

  • Ikonografia polityczna

    Open Access•Martin Warnke•ARTICLE•Stan Rzeczy•2020

  • Nicht mehr Zahlen und Figuren Oder

    Open Access•Martin Warnke•CHAPTER•Smartphone-Ästhetik•2018

  • Prometheus meets M eta-Image

    Martin Warnke, Lisa Dieckmann•ARTICLE•Visual Studies•2016

    The aim of the project Meta-Image,1 which is based on the working method of the famous art historian Aby Warburg, is to provide for art history and other disciplines concerned with visual culture a

  • Kulturtechniken der Synchronisation

    Albert Kümmel-Schnur, Wolfgang Pircher et al.•BOOK•Kulturtechniken der Synchronisation•2013

  • Documenting Artistic Networks

    Martin Warnke, Carmen Wedemeyer•ARTICLE•Leonardo•2011

    Anna Oppermann's Ensembles are scale-free networks. This explains their robustness and legitimates the art critic's metaphors

  • Le peintre des peintres »

    Open Access•Jonathan Brown, Giles Knox et al.•ARTICLE•Perspective•2009

    Depuis qu’Édouard Manet a voyagé en Espagne en 1865 et l’a qualifié de « peintre des peintres », Diego Velázquez est devenu objet de vénération pour ses pairs français, anglais et nord-américains, qui sont allés le découvrir au Prado dans les dernières décennies du xixe siècle et ont ainsi ravivé le désir des collectionneurs et des musées d’acquérir ses œuvres sur le marché international de l’art. L’admiration unanime qu’on lui professe aujourd’h…

  • The Court Artist

    Martin Warnke, first book Martin Warnke et al.•ARTICLE•Renaissance and Reformation•2009

    The study of the history of court art provides an important contribution to our understanding of the conditioning of artists through social institutions.Courts were vital in shaping artistic self-understanding and encouraging uniqueness.The two books discussed here deal with the subject of court art in very different ways.While Wamke traces the history of court artists in an encyclopedic manner from the early Middle Ages to the early nineteenth c…

  • Vorträge aus dem Warburg-Haus. Band 1

    Uwe Fleckner, Wolfgang Kemp et al.•EDITOR•BOOK•Vorträge aus dem Warburg-Haus.…•1997

    We’ve built this digital research platform to provide academics everywhere with fast, stable and secure digital access to our library of over 110,000 scholarly books and 800,000 journal articles. We’ve tested the platform in close cooperation with leading academic institutions. If you have any questions or you notice something doesn’t quite work as it should, please visit our Help/FAQ page and let us know.

  • Aby Warburg (1866-1929)

    Martin Warnke•ARTICLE•Revue germanique internationale•1994

    L’article montre dans quelle mesure Aby Warburg peut être considéré comme un des fondateurs d’une histoire de l’art moderne. Les données de sa biographie permettent de tisser un contexte personnel de son travail et de juger de ses intentions. Plusieurs domaines de son activité sont successivement abordés : la bibliothèque, centrée sur les conditions et les nécessités sociales de l’expression artistique, a acquis une sorte d’autonomie à l’égard de…

  • On Heinrich Wölfflin

    Martin Warnke•ARTICLE•Representations•1989•Cited by: 3

    Research Article| July 01 1989 On Heinrich Wölfflin Martin Warnke Martin Warnke Search for other works by this author on: This Site PubMed Google Scholar Representations (1989) 27: 172–187. https://doi.org/10.2307/2928489 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Martin Warnke; O…

  • On Heinrich Wölfflin

    Martin Warnke•ARTICLE•Representations•1989•Cited by: 3

    Research Article| July 01 1989 On Heinrich Wölfflin Martin Warnke Martin Warnke Search for other works by this author on: This Site PubMed Google Scholar Representations (1989) 27: 172–187. https://doi.org/10.2307/2928489 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Martin Warnke; O…

  • On Heinrich Wölfflin

    Martin Warnke•ARTICLE•Representations•1989•Cited by: 3

    Research Article| July 01 1989 On Heinrich Wölfflin Martin Warnke Martin Warnke Search for other works by this author on: This Site PubMed Google Scholar Representations (1989) 27: 172–187. https://doi.org/10.2307/2928489 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Martin Warnke; O…

  • Aby Warburg (1866-1929)

    Martin Warnke•ARTICLE•Revue germanique internationale•1994

    L’article montre dans quelle mesure Aby Warburg peut être considéré comme un des fondateurs d’une histoire de l’art moderne. Les données de sa biographie permettent de tisser un contexte personnel de son travail et de juger de ses intentions. Plusieurs domaines de son activité sont successivement abordés : la bibliothèque, centrée sur les conditions et les nécessités sociales de l’expression artistique, a acquis une sorte d’autonomie à l’égard de…

  • Vorträge aus dem Warburg-Haus. Band 1

    Uwe Fleckner, Wolfgang Kemp et al.•EDITOR•BOOK•Vorträge aus dem Warburg-Haus.…•1997

    We’ve built this digital research platform to provide academics everywhere with fast, stable and secure digital access to our library of over 110,000 scholarly books and 800,000 journal articles. We’ve tested the platform in close cooperation with leading academic institutions. If you have any questions or you notice something doesn’t quite work as it should, please visit our Help/FAQ page and let us know.

  • Le peintre des peintres »

    Open Access•Jonathan Brown, Giles Knox et al.•ARTICLE•Perspective•2009

    Depuis qu’Édouard Manet a voyagé en Espagne en 1865 et l’a qualifié de « peintre des peintres », Diego Velázquez est devenu objet de vénération pour ses pairs français, anglais et nord-américains, qui sont allés le découvrir au Prado dans les dernières décennies du xixe siècle et ont ainsi ravivé le désir des collectionneurs et des musées d’acquérir ses œuvres sur le marché international de l’art. L’admiration unanime qu’on lui professe aujourd’h…

  • The Court Artist

    Martin Warnke, first book Martin Warnke et al.•ARTICLE•Renaissance and Reformation•2009

    The study of the history of court art provides an important contribution to our understanding of the conditioning of artists through social institutions.Courts were vital in shaping artistic self-understanding and encouraging uniqueness.The two books discussed here deal with the subject of court art in very different ways.While Wamke traces the history of court artists in an encyclopedic manner from the early Middle Ages to the early nineteenth c…

  • Documenting Artistic Networks

    Martin Warnke, Carmen Wedemeyer•ARTICLE•Leonardo•2011

    Anna Oppermann's Ensembles are scale-free networks. This explains their robustness and legitimates the art critic's metaphors

  • Kulturtechniken der Synchronisation

    Albert Kümmel-Schnur, Wolfgang Pircher et al.•BOOK•Kulturtechniken der Synchronisation•2013

  • Prometheus meets M eta-Image

    Martin Warnke, Lisa Dieckmann•ARTICLE•Visual Studies•2016

    The aim of the project Meta-Image,1 which is based on the working method of the famous art historian Aby Warburg, is to provide for art history and other disciplines concerned with visual culture a

  • Nicht mehr Zahlen und Figuren Oder

    Open Access•Martin Warnke•CHAPTER•Smartphone-Ästhetik•2018

  • Ikonografia polityczna

    Open Access•Martin Warnke•ARTICLE•Stan Rzeczy•2020

  • Der Quantencomputer

    Christoph Ernst, Jens Schröter et al.•ARTICLE•Zfk - Zeitschrift für Kulturwissens…•2022

  • Quantum Computing and the Analog/Digital Distinction

    Jens Schröter, Christoph Ernst et al.•ARTICLE•Grey Room•2022

    February 23 2022 Quantum Computing and the Analog/Digital Distinction Jens Schröter, Jens Schröter Jens Schröter is Chair for Media Studies in the Department of Media Studies at the University of Bonn. His research interests include history and theory of digital media; three-dimensional imaging; media and imagination; and future media and future studies. Most recently, he is author, with Christoph Ernst, of Media Futures: Theory and Aesthetics (P…

Art (8 works) · Art history (6 works) · Computer Science (6 works) · World Wide Web (4 works) · Humanities (3 works) · Philosophy (3 works) · Cybernetics and Technology in Society (2 works) · Historical Art and Culture Studies (2 works) · Historical Geography and Cartography (2 works) · Philosophy (2 works)

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