The Court Artist
On the Ancestry of the Modern Artist; Art and Patronage in the Caroline Courts
Bibliographic Data
| ID | 16346733 |
|---|---|
| Authors | Martin Warnke (0000-0003-3500-4354, Hamburg Institut (Germany), corresponding author), first book Martin Warnke, David Howarth (0000-0003-2697-165X), second book David Howarth, Ilse E Friesen |
| Year | 2009 |
| Volume | 31 |
| Issue | 1 |
| Pages | 76-78 |
| Publication date | 2009-01-22 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Renaissance and Reformation (JOURNAL) |
| Journal identifiers | ISSN: 0034-429X • E-ISSN: 2293-7374 |
| Publisher | University of Toronto Libraries - UOTL (PUBLISHER) |
| DOI | 10.33137/rr.v31i1.11569 |
| OpenAlex | W1432624223 |
| Language | EN |
The study of the history of court art provides an important contribution to our understanding of the conditioning of artists through social institutions.Courts were vital in shaping artistic self-understanding and encouraging uniqueness.The two books discussed here deal with the subject of court art in very different ways.While Wamke traces the history of court artists in an encyclopedic manner from the early Middle Ages to the early nineteenth century, Howarth, on the other hand, follows the pattern of a festsschrift, selecting essays by various scholars who focus on the era of Van Dyck
Art · Art history · Visual arts · Historical Art and Culture Studies · Scottish History and National Identity
| Highly cited | No |
|---|