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Mia Jackson

Biographic Data

ID6445725
NAMEMia Jackson
GIVEN NAMESMia
FAMILY NAMEJackson
SIGNATUREJACKSON M
AFFILIATIONSEnglish Heritage
ORCID0009-0005-4111-6098
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Dismantling patronage

    Open Access•Louisa Brouwer, Alice Strickland et al.•ARTICLE•Women s History Review•2026

    This article highlights a seed-funded research project to map and shine light on the network of women who shaped many National Trust collections and properties. By examining the collections they built, this research restores female perspectives often missing from historical narratives. It focuses on the period between 1880 and 1920, a time of shifting gender roles, expanding property rights, and rising philanthropic influence. During these decade…

  • A chronological résumé of furniture by Boulle no longer in France, with a focus on the United Kingdom

    Open Access•Mia Jackson•ARTICLE•Spotlight•2020

    The furniture of André-Charles Boulle is often inextricably linked to the court of Louis XIV and Versailles. Yet this would appear to be something of a mischaracterisation, for only a small percentage of pieces of furniture attributed to Boulle were made for Versailles (and even then, for the Grand Trianon or the Ménagerie rather than the main palace). Indeed, what is surprising for objects so often characterised as the nec plus ultra of French c…

  • Mariette and the Science of the Connoisseur in Eighteenth-Century Europe

    Mia Jackson•ARTICLE•Journal of the History of…•2016

    Pierre-Jean Mariette (1694–1774) is the eighteenth-century French collector par excellence. His writings on art and artists are a rich repository for anyone who works on the ancien régime. His collection of drawings is of such fundamental importance to our current conception of artistic authenticity that despite its dispersal in his post-mortem sale of 1775, a catalogue raisonné is still being written (Pierre Rosenberg and Laure Barthélemy-Labeeu…

  • Selling Silks

    Mia Jackson•ARTICLE•Textile History•2016

    This book reproduces a French sample book of silks that was seized by British Customs in 1764 and acquired by the Victoria & Albert Museum from the Warner Archive in 1972. The import of foreign lux

No prominent works on this page.

  • Mariette and the Science of the Connoisseur in Eighteenth-Century Europe

    Mia Jackson•ARTICLE•Journal of the History of…•2016

    Pierre-Jean Mariette (1694–1774) is the eighteenth-century French collector par excellence. His writings on art and artists are a rich repository for anyone who works on the ancien régime. His collection of drawings is of such fundamental importance to our current conception of artistic authenticity that despite its dispersal in his post-mortem sale of 1775, a catalogue raisonné is still being written (Pierre Rosenberg and Laure Barthélemy-Labeeu…

  • Selling Silks

    Mia Jackson•ARTICLE•Textile History•2016

    This book reproduces a French sample book of silks that was seized by British Customs in 1764 and acquired by the Victoria & Albert Museum from the Warner Archive in 1972. The import of foreign lux

  • A chronological résumé of furniture by Boulle no longer in France, with a focus on the United Kingdom

    Open Access•Mia Jackson•ARTICLE•Spotlight•2020

    The furniture of André-Charles Boulle is often inextricably linked to the court of Louis XIV and Versailles. Yet this would appear to be something of a mischaracterisation, for only a small percentage of pieces of furniture attributed to Boulle were made for Versailles (and even then, for the Grand Trianon or the Ménagerie rather than the main palace). Indeed, what is surprising for objects so often characterised as the nec plus ultra of French c…

  • Dismantling patronage

    Open Access•Louisa Brouwer, Alice Strickland et al.•ARTICLE•Women s History Review•2026

    This article highlights a seed-funded research project to map and shine light on the network of women who shaped many National Trust collections and properties. By examining the collections they built, this research restores female perspectives often missing from historical narratives. It focuses on the period between 1880 and 1920, a time of shifting gender roles, expanding property rights, and rising philanthropic influence. During these decade…

Art (3 works) · History (3 works) · Art history (2 works) · Context (archaeology) (2 works) · Historical Art and Culture Studies (2 works) · Visual arts (2 works) · Agency (philosophy) (1 work) · Archaeology (1 work) · Art History and Market Analysis (1 work) · Chemistry (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae