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Mike Vanden Heuvel

Biographic Data

ID6462224
NAMEMike Vanden Heuvel
GIVEN NAMESMike Vanden
FAMILY NAMEHeuvel
SIGNATUREHEUVEL M V
AFFILIATIONSUniversity of Wisconsin–Madison
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS1
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2013
H-INDEX1
  • The Acceptable Face of the Unintelligible’

    Mike Vanden Heuvel•ARTICLE•Interdisciplinary Science Reviews•2013•Cited by: 1•References: 3

    The limitations of the ‘science-in-theatre’ genre is explored and the concept of the intermedial science play is introduced as an alternative to conventional science plays. How the science-in-theatre play dampens the mediality of the stage in order to establish a specific contract with its audience in order to realize what Carl Djerassi calls ‘didactic realism’ is considered. By virtue of the dramatic form and the didacticism it establishes, the …

  • The Acceptable Face of the Unintelligible’

    Mike Vanden Heuvel•ARTICLE•Interdisciplinary Science Reviews•2013•Cited by: 1•References: 3

    The limitations of the ‘science-in-theatre’ genre is explored and the concept of the intermedial science play is introduced as an alternative to conventional science plays. How the science-in-theatre play dampens the mediality of the stage in order to establish a specific contract with its audience in order to realize what Carl Djerassi calls ‘didactic realism’ is considered. By virtue of the dramatic form and the didacticism it establishes, the …

  • The Acceptable Face of the Unintelligible’

    Mike Vanden Heuvel•ARTICLE•Interdisciplinary Science Reviews•2013•Cited by: 1•References: 3

    The limitations of the ‘science-in-theatre’ genre is explored and the concept of the intermedial science play is introduced as an alternative to conventional science plays. How the science-in-theatre play dampens the mediality of the stage in order to establish a specific contract with its audience in order to realize what Carl Djerassi calls ‘didactic realism’ is considered. By virtue of the dramatic form and the didacticism it establishes, the …

Aesthetics (1 works) · Art (1 works) · Didacticism (1 works) · Digital Education and Society (1 works) · Digital Media and Philosophy (1 works) · Epistemology (1 works) · Face (sociological concept (1 works) · Literature (1 works) · Order (exchange (1 works) · Philosophy (1 works)

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