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Marianne Gunderson

Biographic Data

ID6545389
NAMEMarianne Gunderson
GIVEN NAMESMarianne
FAMILY NAMEGunderson
SIGNATUREGUNDERSON M
AFFILIATIONSUniversity of Bergen
ORCID0000-0003-2794-4848
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Don’t Worry About Formalities

    Open Access•Marianne Gunderson•ARTICLE•AoIR Selected Papers of Internet…•2026

    As large language models (LLMs) with chat interfaces such as ChatGPT have become available to the public, with ChatGPT reportedly amassing more than 400 million active users worldwide, social media has become host to a proliferation of posts and dedicated communities featuring lay people’s experiments with prompt engineering. While much has been written about prompting as a specialized skill, there is currently very little research on the socio-c…

  • Alexa’s Monstrous Agency

    Open Access•Nuno Galego Marques Atalaia, Marianne Gunderson•ARTICLE•Lateral•2025

    First released by Amazon in 2014, the digital voice assistant Alexa allows users to connect and automate their smart home devices through the sound of their voice. Alexa’s automation of domestic spaces comes, however, with its own set of anxieties. How much data does Alexa sense and capture, and how is this data used? How is agency distributed between humans and the machines surrounding them? Is Alexa an empowering tool, or an invasion of privacy…

  • Populærkulturelle forestillinger av utvidet virkelighet

    Open Access•Marianne Gunderson•ARTICLE•Tidsskrift for kjønnsforskning•2021

    Augmented reality, where digital objects are overlaid and combined with the ordinary visual surface, is a technology under rapid development, which has long been a part of visions of the digital future. In this article, I examine how gaze and power are coded into three pop-cultural visions of augmented reality. By analyzing representations of augmented reality in science fiction through the lens of feminist theory on performativity and intelligib…

  • How Does It Feel to Be Seen by a Machine Lively Devices in Digital Horror

    Open Access•Marianne Gunderson•ARTICLE•AoIR Selected Papers of Internet…•2020

    What does it feel like to be watched by a machine? How do we make sense of our present state of concurrent awareness of and obliviousness of living our everyday lives under ubiquitous surveillance? This presentation will explore these questions through an analysis of a selection of creepypasta stories that draw their horror from the experience of being watched by - or through - a machine. Conceptualized as “digital urban legends” and “contemporar…

  • Toward a fannish methodology

    Open Access•Sophie Hansal, Marianne Gunderson•ARTICLE•Transformative Works and Cultures•2020

    Fan studies is a multifaceted discipline that developed from widely different fields of research, resulting in a great variety of methodological approaches. A recurring issue in discussions on methodology in fan studies is the tension between the researchers' attachment to the phenomenon they are studying and the more detached, critical role of a researcher. The double position as both a participant in and observer of the communities that they ar…

  • Other Ethics

    Open Access•Marianne Gunderson•ARTICLE•Kvinder Køn & Forskning•2017•References: 1

    Margrit Shildrick has argued that the monster’s ability to disturb and unsettle arises from its position as simultaneously same and different, both self and other at the same time. Through an analysis of Algernon Blackwood’s novella The Willows, this article discusses the challenge posed by the nonhuman Absolute other, the nebulous creatures whose whose difference is total, as they appear in weird fiction. Drawing on posthuman theory, it explores…

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  • Other Ethics

    Open Access•Marianne Gunderson•ARTICLE•Kvinder Køn & Forskning•2017•References: 1

    Margrit Shildrick has argued that the monster’s ability to disturb and unsettle arises from its position as simultaneously same and different, both self and other at the same time. Through an analysis of Algernon Blackwood’s novella The Willows, this article discusses the challenge posed by the nonhuman Absolute other, the nebulous creatures whose whose difference is total, as they appear in weird fiction. Drawing on posthuman theory, it explores…

  • How Does It Feel to Be Seen by a Machine Lively Devices in Digital Horror

    Open Access•Marianne Gunderson•ARTICLE•AoIR Selected Papers of Internet…•2020

    What does it feel like to be watched by a machine? How do we make sense of our present state of concurrent awareness of and obliviousness of living our everyday lives under ubiquitous surveillance? This presentation will explore these questions through an analysis of a selection of creepypasta stories that draw their horror from the experience of being watched by - or through - a machine. Conceptualized as “digital urban legends” and “contemporar…

  • Toward a fannish methodology

    Open Access•Sophie Hansal, Marianne Gunderson•ARTICLE•Transformative Works and Cultures•2020

    Fan studies is a multifaceted discipline that developed from widely different fields of research, resulting in a great variety of methodological approaches. A recurring issue in discussions on methodology in fan studies is the tension between the researchers' attachment to the phenomenon they are studying and the more detached, critical role of a researcher. The double position as both a participant in and observer of the communities that they ar…

  • Populærkulturelle forestillinger av utvidet virkelighet

    Open Access•Marianne Gunderson•ARTICLE•Tidsskrift for kjønnsforskning•2021

    Augmented reality, where digital objects are overlaid and combined with the ordinary visual surface, is a technology under rapid development, which has long been a part of visions of the digital future. In this article, I examine how gaze and power are coded into three pop-cultural visions of augmented reality. By analyzing representations of augmented reality in science fiction through the lens of feminist theory on performativity and intelligib…

  • Alexa’s Monstrous Agency

    Open Access•Nuno Galego Marques Atalaia, Marianne Gunderson•ARTICLE•Lateral•2025

    First released by Amazon in 2014, the digital voice assistant Alexa allows users to connect and automate their smart home devices through the sound of their voice. Alexa’s automation of domestic spaces comes, however, with its own set of anxieties. How much data does Alexa sense and capture, and how is this data used? How is agency distributed between humans and the machines surrounding them? Is Alexa an empowering tool, or an invasion of privacy…

  • Don’t Worry About Formalities

    Open Access•Marianne Gunderson•ARTICLE•AoIR Selected Papers of Internet…•2026

    As large language models (LLMs) with chat interfaces such as ChatGPT have become available to the public, with ChatGPT reportedly amassing more than 400 million active users worldwide, social media has become host to a proliferation of posts and dedicated communities featuring lay people’s experiments with prompt engineering. While much has been written about prompting as a specialized skill, there is currently very little research on the socio-c…

Sociology (4 works) · Aesthetics (3 works) · Art (3 works) · Computer Science (3 works) · Epistemology (3 works) · Social science (3 works) · AI in Service Interactions (2 works) · Digital Games and Media (2 works) · Gothic Literature and Media Analysis (2 works) · Media studies (2 works)

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