Suoqiao Qian
Biographic Data
| ID | 6551063 |
|---|---|
| NAME | Suoqiao Qian |
| GIVEN NAMES | Suoqiao |
| FAMILY NAME | Qian |
| SIGNATURE | QIAN S |
| AFFILIATIONS | City University of Hong Kong |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Lin Yutang and China’s Search for Modern Rebirth
Cross-cultural Studies: China and the World
Cross-cultural Studies: China and the World, A Festschrift in Honor of Professor Zhang Longxi collects twelve essays by eminent scholars across several disciplines in Chinese and cross-cultural studies to celebrate Zhang Longxi’s scholarly achievements. As a leading scholar from post-Cultural Revolution China, Zhang Longxi’s academic career has set a milestone in cross-cultural studies between China and the world. With an introduction by Qian Suo…
Liberal Cosmopolitan
Contents 1. Introduction: Re-discovering Lin Yutang in the Post-Mao Era 2. Chinese Modernity: Nationalism, Imperialism, and the Liberal Cosmopolitan Alternative 3. Enlightenment and National Salvation: The Politics of a Liberal Nationalist 4. Little Critic: Returned Professionals and the Cosmopolitan Modern 5. A Cross-cultural Aesthetic of Life: Translating Xingling into Self-expression, Xianshi into Leisure and Humor into Youmo 6. Oriental Other…
Representing China
In the 1930s and 1940s, American representations of China were divided between pro-Nationalist groups, notably Henry Luce's media enterprise, and a host of “China Hands” accused of being pro-Communist. Though these “China Hands” came from diff erent professions – journalists (Edgar Snow, Theodore White), academics (Owen Lattimore, John Fairbank), political activists (Agnes Smedley) – they formed a distinct group of American liberal cosmopolitan i…
Translating ‘humor’ into Chinese culture
The Chinese term
Pearl S. Buck/as cosmopolitan critic
Pearl S. Buck (1892–1973), or as she liked to be remembered in Chinese, though one of the most popular writers in her times, has traditionally warranted little critical attention and understanding due to the transnational and cross-cultural nature of her literary practices. Today, as our world becomes much closer and smaller and our critical vision becomes more global and comparative, the cross-cultural writings of Buck will regain their signific…
The Mad Chinese Man in America
Asian immigrant literature has attracted far less attention than it deserves in Asian-American studies. Almost exclusive attention has been paid to English-language texts while Asian immigrant literature is multilingual. In deploring such monolingual prejudice, Werner Sollors has recently made an urgent and groundbreaking plea “for a multilingual turn in American Studies.”
Translating ‘humor’ into Chinese culture
The Chinese term
Representing China
In the 1930s and 1940s, American representations of China were divided between pro-Nationalist groups, notably Henry Luce's media enterprise, and a host of “China Hands” accused of being pro-Communist. Though these “China Hands” came from diff erent professions – journalists (Edgar Snow, Theodore White), academics (Owen Lattimore, John Fairbank), political activists (Agnes Smedley) – they formed a distinct group of American liberal cosmopolitan i…
The Mad Chinese Man in America
Asian immigrant literature has attracted far less attention than it deserves in Asian-American studies. Almost exclusive attention has been paid to English-language texts while Asian immigrant literature is multilingual. In deploring such monolingual prejudice, Werner Sollors has recently made an urgent and groundbreaking plea “for a multilingual turn in American Studies.”
Pearl S. Buck/as cosmopolitan critic
Pearl S. Buck (1892–1973), or as she liked to be remembered in Chinese, though one of the most popular writers in her times, has traditionally warranted little critical attention and understanding due to the transnational and cross-cultural nature of her literary practices. Today, as our world becomes much closer and smaller and our critical vision becomes more global and comparative, the cross-cultural writings of Buck will regain their signific…
Translating ‘humor’ into Chinese culture
The Chinese term
Representing China
In the 1930s and 1940s, American representations of China were divided between pro-Nationalist groups, notably Henry Luce's media enterprise, and a host of “China Hands” accused of being pro-Communist. Though these “China Hands” came from diff erent professions – journalists (Edgar Snow, Theodore White), academics (Owen Lattimore, John Fairbank), political activists (Agnes Smedley) – they formed a distinct group of American liberal cosmopolitan i…
Liberal Cosmopolitan
Contents 1. Introduction: Re-discovering Lin Yutang in the Post-Mao Era 2. Chinese Modernity: Nationalism, Imperialism, and the Liberal Cosmopolitan Alternative 3. Enlightenment and National Salvation: The Politics of a Liberal Nationalist 4. Little Critic: Returned Professionals and the Cosmopolitan Modern 5. A Cross-cultural Aesthetic of Life: Translating Xingling into Self-expression, Xianshi into Leisure and Humor into Youmo 6. Oriental Other…
Cross-cultural Studies: China and the World
Cross-cultural Studies: China and the World, A Festschrift in Honor of Professor Zhang Longxi collects twelve essays by eminent scholars across several disciplines in Chinese and cross-cultural studies to celebrate Zhang Longxi’s scholarly achievements. As a leading scholar from post-Cultural Revolution China, Zhang Longxi’s academic career has set a milestone in cross-cultural studies between China and the world. With an introduction by Qian Suo…
Lin Yutang and China’s Search for Modern Rebirth
China (7 works) · History (6 works) · Chinese history and philosophy (5 works) · Law (5 works) · Political science (5 works) · Sociology (5 works) · china (3 works) · Gender Studies (3 works) · History (3 works) · Japanese History and Culture (3 works)