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Pearl S. Buck/as cosmopolitan critic

Bibliographic Data

ID4755080
AuthorsQian Suoqiao, Suoqiao Qian (City University of Hong Kong, corresponding author)
Year2005
Volume3
Issue2
Pages153-172
Publication date2005-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueComparative American Studies An International Journal (JOURNAL)
Journal identifiersISSN: 1477-5700 • E-ISSN: 1741-2676
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1177/1477570005052525
OpenAlexW1988187422
LanguageEN
References cited7

Pearl S. Buck (1892–1973), or as she liked to be remembered in Chinese, though one of the most popular writers in her times, has traditionally warranted little critical attention and understanding due to the transnational and cross-cultural nature of her literary practices. Today, as our world becomes much closer and smaller and our critical vision becomes more global and comparative, the cross-cultural writings of Buck will regain their significance when her own double-identity claim is taken seriously. I will argue in this article that, while critical reception of Buck's works in both China and the USA came from nationalist assumptions, the significance of Buck's literary and cultural practices lies precisely in the fact that Buck was a cosmopolitan intellectual doubly critical of both Chinese and American nationalisms

Aesthetics · Archaeology · Art · China · Cosmopolitanism · Literature · Nationalism · Pearl · Political science · Sociology · Chinese history and philosophy · History · Hong Kong and Taiwan Politics · Law · Philosophy · Vietnamese History and Culture Studies

  • Translingual Practice

    Lydia H Liu•Translingual Practice•1995

  • The Yellow Peril

    Neil Nakadate, William F Wu•MELUS Multi-Ethnic Literature of…•1983

  • An Outline History of China

    Herbert H Gowen, Josef Washington Hall et al.•Bulletin of the American…•1914

  • American Unity and Asia

    Linden A Mander, Pearl S Buck•The Far Eastern Quarterly•1943

Citation velocityhistorical
Highly citedNo

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