Celeste Pedri-Spade
Biographic Data
| ID | 657959 |
|---|---|
| NAME | Celeste Pedri-Spade |
| GIVEN NAMES | Celeste |
| FAMILY NAME | Pedri-Spade |
| SIGNATURE | PEDRI-SPADE C |
| AFFILIATIONS | Laurentian University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
“But they were never only the master’s tools”: The use of photography in de-colonial praxis
The majority of anthropological literature around photography of Indigenous peoples has privileged the actions, agency, and intent of the Western photographer. While one cannot ignore the significant colonizing influences that photographs have had on Indigenous peoples, one cannot presume that these individuals were solely the silenced subject or victim in a one-sided, inferior relationship with the camera and its operator. Recent scholarship is …
“The Drum is Your Document”: Decolonizing Research Through Anishinabe Song and Story
Drawing upon Indigenous ways of knowing and the revitalization of Indigenous education, the author, as Anishinabekwe, 1 “storysharer,” and drummer, explores the relationship between song and story in Anishinabe hand drumming and how this relationship both guides and reveals Anishinabe knowledge. To decolonize the research journey, the author turns to her relationship with her drum and its teachings of holism, relationality, and interconnectedness…
No prominent works on this page.
“The Drum is Your Document”: Decolonizing Research Through Anishinabe Song and Story
Drawing upon Indigenous ways of knowing and the revitalization of Indigenous education, the author, as Anishinabekwe, 1 “storysharer,” and drummer, explores the relationship between song and story in Anishinabe hand drumming and how this relationship both guides and reveals Anishinabe knowledge. To decolonize the research journey, the author turns to her relationship with her drum and its teachings of holism, relationality, and interconnectedness…
“But they were never only the master’s tools”: The use of photography in de-colonial praxis
The majority of anthropological literature around photography of Indigenous peoples has privileged the actions, agency, and intent of the Western photographer. While one cannot ignore the significant colonizing influences that photographs have had on Indigenous peoples, one cannot presume that these individuals were solely the silenced subject or victim in a one-sided, inferior relationship with the camera and its operator. Recent scholarship is …
Aesthetics (2 works) · Art (2 works) · History (2 works) · Indigenous (2 works) · Sociology (2 works) · Visual arts (2 works) · Agency (philosophy) (1 works) · Anthropological Studies and Insights (1 works) · Anthropology (1 works) · Archaeology (1 works)