“But they were never only the master’s tools”
The use of photography in de-colonial praxis
Bibliographic Data
| ID | 19004422 |
|---|---|
| Authors | Celeste Pedri-Spade (Laurentian University, corresponding author) |
| Year | 2017 |
| Volume | 13 |
| Issue | 2 |
| Pages | 106-113 |
| Publication date | 2017-03-27 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | AlterNative An International Journal of Indigenous Peoples (JOURNAL) |
| Journal identifiers | ISSN: 1177-1801 • E-ISSN: 1174-1740 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/1177180117700796 |
| OpenAlex | W2600313855 |
| Language | EN |
| Citations received | 10 |
| References cited | 37 |
The majority of anthropological literature around photography of Indigenous peoples has privileged the actions, agency, and intent of the Western photographer. While one cannot ignore the significant colonizing influences that photographs have had on Indigenous peoples, one cannot presume that these individuals were solely the silenced subject or victim in a one-sided, inferior relationship with the camera and its operator. Recent scholarship is now re-examining the relationship Indigenous peoples have had with photography as a culturally productive technology since its development. In this article, I will address the role of photography in a global context as an object and a method of decolonization in two ways: (a) through archived collections of colonial photography and (b) in the production of contemporary photographs by peoples who experience contemporary colonialism. In both of these contexts, I will explore how various populations or communities with a colonial history use photography to confront ongoing legacies of colonialism, particularly in agendas aimed at repairing and reconfiguring relationships with self, family and kin, colonizer, community, and the natural world. Drawing on examples from several countries and locales, I will address the potentials and challenges of reframing Indigenous peoples’ experience of, and relationship with, photography within the context of de-colonial praxis
Aesthetics · Agency (philosophy) · Archaeology · Art · Cognitive reframing · Colonialism · Context (archaeology) · Decolonization · Indigenous · Photography · Political science · Praxis · Scholarship · Social science · Sociology · Subject (documents) · Visual arts · Anthropological Studies and Insights · Ecology · Gender Studies · History · Law · Museums and Cultural Heritage · Photography and Visual Culture · Psychology
A Natural-Worker Leaves the Colonial Visual Archive
Challenging the “White Male Gaze”? Perceptions and Representational Practices of U.S. Women of Color Photojournalists
Horizontal portability
How Do I Bring You Home? Seeking Ancestral Relations in a Colonial Photo Archive
Elaborated images as decolonial praxis
Introduction
Inuit, the Crown, and Racialized Visuality
Native HeArts
Enacting anti-racist visualities through photo-dialogues on race in Paris
The provenance and provenience of photographs
Art And Agency
Indigenous Storytelling, Truth-telling, and Community Approaches to Reconciliation
Ancestral connections
Growing Up with Aborigines
Reclaiming Indigenous Voice and Vision
Yoruba Photography
The Social Life of Things
Notes from the Surface of the Image
The Colonial Backdrop
Emergence from the Shadow
The Photograph and the Malanggan
Lessons with Leah
Looking at discipline, looking at labour
Return
Voicing a Lost History through Photographsï¿1⁄2in Hispaniola's Diasporic Literature
Decolonization Is Never Cheap”
Navajo Photography
Self and Accessory in Gambian Studio Photography
Promiscuous Things
Photography's Other Histories
Marking Oneself
Indigenous Cultural Heritage and Intellectual Property Rights
From a Native Daughter
Pedagogy of the oppressed
Decolonizing Methodologies
Photography and Anthropology
Fragmented visions
Repeat Photography as a Method in Visual Anthropology
Out of the Mouths of Crocodiles
| Unique citing works | 10 |
|---|---|
| Citations per year | 1,67 |
| Citation span | 2020 - 2026 (7) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 10 |