Promiscuous Things
Perspectives on Cultural Property Through Photographs in the Purari Delta of Papua New Guinea
Bibliographic Data
| ID | 4283301 |
|---|---|
| Authors | Joshua A Bell (0000-0001-6892-8786) |
| Year | 2008 |
| Volume | 15 |
| Issue | 2 |
| Pages | 123-139 |
| Publication date | 2008-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of Cultural Property (JOURNAL) |
| Journal identifiers | ISSN: 0940-7391 • E-ISSN: 1465-7317 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0940739108080107 |
| OpenAlex | W2124836007 |
| Language | EN |
| Citations received | 31 |
| References cited | 38 |
Within this article I discuss the productive potentials of looking at historic photographs of the Purari Delta with indigenous communities today. A particular type of artifact, the meanings of photographs are promiscuous. Thinking about the shape of cultural property relations that are manifest photographs, I show how engagements with indigenous communities unsettles European preconceptions about what photographs are as well as how doing so raises issues about what cultural property is, and perhaps can be. Instead of being a discreet entity, cultural property for the I'ai emerges as a network of relationships that envelopes people, environment, and ancestors. This expansive notion of cultural property can help us rethink how we treat and handle objects within museums and archives
Aesthetics · Archaeology · Art · Artifact (error · Cultural artifact · Cultural heritage · Cultural property · Epistemology · Ethnology · Expansive · Indigenous · New guinea · Property (philosophy · Sociology · Anthropological Studies and Insights · Anthropology · Computer Science · Cultural Heritage Management and Preservation · Geographies of human-animal interactions · History · Philosophy · Artificial Intelligence · Ecology
Objects of Affect
Negotiating Who "Owns" Penobscot Culture
Museum Anthropology
Contemporary Kerewo and Urama Responses to Frank Hurley’s Collection
Material Lives of Cold War Radio Pasts in India
Documenting discontent
“But they were never only the master’s tools”
The Photograph and the Malanggan
On stone tools and the ‘prehistoric’
Photographing Spirits
Floating Worlds
The Ancestral Image in the Present Tense
De-colonized Collecting
Retro Nuosu
From Loss of Objects to Recovery of Meanings
After the Return
Voicing silences in the colonial photographic archive
Kryzys reżimu muzealnej własności i jego potencjały
Building culturally meaningful chronologies
The meaning and importance of the Lapita face motif
Portrait of a Martyr as a Young Man
Presence Without Identification
The photograph as archive
Thick photography
A Bundle of Relations
Making Kin
Being Called to Action
Repatriation as Pedagogy
The Photographic Assemblage
Out of the Mouths of Crocodiles
Rethinking agency in hiri exchange relationships on Papua New Guinea's south coast
Who Owns Native Culture?
Art And Agency
Entangled Objects
Photographs Objects Histories
The Material Culture Reader
Who Owns Culture?
The Social Life of Things
Kinship, Law and the Unexpected
Museums And Source Communities
Introduction
Protection of intellectual, biological & cultural property in Papua New Guinea
Images, Selves, and the Visual Record
Moving Images
Marijuana, Guns, Crocodiles and Submarines
Beyond Aesthetics
Raw Histories
Taking the photographs home
Photographs and the Sound of History
Entangled objects
Losing the Forest but not the Stories in the Trees
New Men of Papua
Cultural Property Internationalism
The Kopiravi Cult of the Namau, Papua
The Purari River Delta Societies, Papua New Guinea, after the Tom Kabu Movement
Asiwinarong
The Gender of the Gift
Cutting the Network
Cosmological Deixis and Amerindian Perspectivism
Le savoir des anthropologues
Copyright in context
Material and Memory
Owning Creativity
Malakula
Telephones, Cameras and Technology in West New Britain Cargo Cults
| Unique citing works | 31 |
|---|---|
| Citations per year | 1,72 |
| Citation span | 2008 - 2025 (18) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 29 |