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Retro Nuosu

Reclaiming the Past, Present, and Future through Participatory Portraits in Southwest China

Bibliographic Data

ID8080641
AuthorsKaitlin Banfill (corresponding author)
Year2020
Volume36
Issue2
Pages296-318
Publication date2020-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueVisual Anthropology Review (JOURNAL)
Journal identifiersISSN: 1058-7187 • E-ISSN: 1548-7458
PublisherWiley (PUBLISHER • GB)
DOI10.1111/var.12220
OpenAlexW3119389540
LanguageEN
Citations received5
References cited25

This article explores visual and ethnic representation among Nuosu Yi youth in contemporary China, where photographic subjects’ desires and agency compete with mainstream visual regimes. I argue that Nuosu Yi university students used self‐fashioning and photography to create a new yet radically retro narrative—one that asserts their political and cultural modernity in the Chinese national imagination. “Art photo” studios have recently inspired youth to express themselves through a markedly retro Nuosu aesthetic. In this project, I replicated an art photo studio and photographed fourteen individuals, revealing their individual desires and agency in the broader context of Chinese ethnic representation

Aesthetics · Agency (philosophy · Art · China · Chinese art · Citizen journalism · Context (archaeology · Ethnic group · Literature · Mainstream · Modernity · Narrative · Photo-essay · Photography · Political science · Politics · Portrait · Representation (politics · Social science · Sociology · Studio · Visual arts · Anthropology · China's Ethnic Minorities and Relations · Chinese history and philosophy · Vietnamese History and Culture Studies · Gender Studies · History

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Unique citing works5
Citations per year1
Citation span2021 - 2023 (3)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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