Ronan Crowley
Biographic Data
| ID | 6583917 |
|---|---|
| NAME | Ronan Crowley |
| GIVEN NAMES | Ronan |
| FAMILY NAME | Crowley |
| SIGNATURE | CROWLEY R |
| AFFILIATIONS | University of Antwerp |
| ORCID | 0000-0002-2016-5270 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Modernism on the Punch Tape
This article explores the set of interlocking and overlapping institutional, pedagogical, and commercial developments that led to the critical editing of James Joyce's Ulysses by Hans Walter Gabler in the late 1970s and early 1980s. While the polarised reception of Ulysses: A Critical and Synoptic Edition in the late 1980s is well known, we reconstruct the material and technological conditions of digital scholarly editing that gave rise to this m…
Looking at Animals without Seeing Them
Taking wing from Joyce’s reading of Havelock Ellis’s Studies in the Psychology of Sex, in which the Irish writer found an account of cross-species sexual contact, this essay explores Leopold Bloom’s animal metamorphosis in the “Circe” episode of Ulysses. It argues that this encounter with the nonhuman animal is subordinated to the cause of working through barriers of human difference. In the process, the animal that enables this reconciliation di…
“A Quantity of Offensive Matter”
The Female Figure in Contemporary Historical Fiction
This study brings together in one collection a variety of critical responses to late twentieth-and twenty-first-century women’s historical fiction. In different ways the essays all argue that current literary, historical, and feminist interest in the female figure of history signifies a questioning of the gendered limits of postmodernism. To this end, the collection’s tripartite structure reflects the nature of its subject matter: this is an inte…
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The Female Figure in Contemporary Historical Fiction
This study brings together in one collection a variety of critical responses to late twentieth-and twenty-first-century women’s historical fiction. In different ways the essays all argue that current literary, historical, and feminist interest in the female figure of history signifies a questioning of the gendered limits of postmodernism. To this end, the collection’s tripartite structure reflects the nature of its subject matter: this is an inte…
“A Quantity of Offensive Matter”
Looking at Animals without Seeing Them
Taking wing from Joyce’s reading of Havelock Ellis’s Studies in the Psychology of Sex, in which the Irish writer found an account of cross-species sexual contact, this essay explores Leopold Bloom’s animal metamorphosis in the “Circe” episode of Ulysses. It argues that this encounter with the nonhuman animal is subordinated to the cause of working through barriers of human difference. In the process, the animal that enables this reconciliation di…
Modernism on the Punch Tape
This article explores the set of interlocking and overlapping institutional, pedagogical, and commercial developments that led to the critical editing of James Joyce's Ulysses by Hans Walter Gabler in the late 1970s and early 1980s. While the polarised reception of Ulysses: A Critical and Synoptic Edition in the late 1980s is well known, we reconstruct the material and technological conditions of digital scholarly editing that gave rise to this m…
Art (3 works) · Literature (3 works) · Aesthetics (1 work) · Art history (1 work) · Asian American and Pacific Histories (1 work) · Communism, Protests, Social Movements (1 work) · Contemporary Literature and Criticism (1 work) · Digital Humanities and Scholarship (1 work) · Gender, Feminism, and Media (1 work) · Geographies of human-animal interactions (1 work)