Modernism on the Punch Tape
Editing the 1984 Ulysses
Bibliographic Data
| ID | 12917433 |
|---|---|
| Authors | Ronan Crowley (0000-0002-2016-5270, corresponding author), Joshua Schäuble (0000-0001-8907-6412) |
| Year | 2020 |
| Volume | 15 |
| Issue | 1 |
| Pages | 29-47 |
| Publication date | 2020-02-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Modernist Cultures (JOURNAL) |
| Journal identifiers | ISSN: 1753-8629 • E-ISSN: 2041-1022 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/mod.2020.0278 |
| OpenAlex | W3006236873 |
| Language | EN |
This article explores the set of interlocking and overlapping institutional, pedagogical, and commercial developments that led to the critical editing of James Joyce's Ulysses by Hans Walter Gabler in the late 1970s and early 1980s. While the polarised reception of Ulysses: A Critical and Synoptic Edition in the late 1980s is well known, we reconstruct the material and technological conditions of digital scholarly editing that gave rise to this major edition of a canonical modernist work
Art · Art history · Literature · Modernism (music · Visual arts · Digital Humanities and Scholarship · Giambattista Vico and Joyce · Kierkegaardian Philosophy and Influence
| Highly cited | No |
|---|