Kees Vuyk
Biographic Data
| ID | 6599819 |
|---|---|
| NAME | Kees Vuyk |
| GIVEN NAMES | Kees |
| FAMILY NAME | Vuyk |
| SIGNATURE | VUYK K |
| AFFILIATIONS | Utrecht University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 1 |
To be Dutch or not to be Turkish, that is the question’, or, how to measure the reception of a community-based play about living between cultures
In this article, the authors experiment with an interdisicplinary, partly empirical investigation into the reception of a community-based theatre production created by three generations of Turkish migrants in the Netherlands. Although community arts has been experiencing a boom of sorts in the Netherlands and local funding agents increasingly call for evidence, very little empirical research has been done in the low countries so far. Prompted by …
The arts as an instrument? Notes on the controversy surrounding the value of art
In the last decade of the twentieth century a shift occurred in the way western governments defended their cultural policies. New, instrumental arguments were put forward. This collided with the way the arts had learned to see themselves in the twentieth century: autonomous, with a value of their own. This article elaborates this confrontation of the arts and policy in two ways. First, it is shown that the distinction between an instrumental and …
The arts as an instrument? Notes on the controversy surrounding the value of art
In the last decade of the twentieth century a shift occurred in the way western governments defended their cultural policies. New, instrumental arguments were put forward. This collided with the way the arts had learned to see themselves in the twentieth century: autonomous, with a value of their own. This article elaborates this confrontation of the arts and policy in two ways. First, it is shown that the distinction between an instrumental and …
To be Dutch or not to be Turkish, that is the question’, or, how to measure the reception of a community-based play about living between cultures
In this article, the authors experiment with an interdisicplinary, partly empirical investigation into the reception of a community-based theatre production created by three generations of Turkish migrants in the Netherlands. Although community arts has been experiencing a boom of sorts in the Netherlands and local funding agents increasingly call for evidence, very little empirical research has been done in the low countries so far. Prompted by …
The arts as an instrument? Notes on the controversy surrounding the value of art
In the last decade of the twentieth century a shift occurred in the way western governments defended their cultural policies. New, instrumental arguments were put forward. This collided with the way the arts had learned to see themselves in the twentieth century: autonomous, with a value of their own. This article elaborates this confrontation of the arts and policy in two ways. First, it is shown that the distinction between an instrumental and …
Art (2 works) · Social and Cultural Dynamics (2 works) · Sociology (2 works) · The arts (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Art, Politics, and Modernism (1 works) · Boom (1 works) · Computer Science (1 works) · Cultural policy (1 works)