Joshua Hamzehee
Biographic Data
| ID | 6609894 |
|---|---|
| NAME | Joshua Hamzehee |
| GIVEN NAMES | Joshua |
| FAMILY NAME | Hamzehee |
| SIGNATURE | HAMZEHEE J |
| AFFILIATIONS | Santa Rosa Junior College |
| ORCID | 0000-0002-2922-1742 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
A terrible beauty is born”: Using Yeats to respond to Last Words , November 2021
In 2021, I attended the first National Communication Association conference since 2019 (before the COVID-19 pandemic began), and I participated in Kirt Shineman’s experimental collaborative performance, Last Words. In response to Shineman’s curation of historic texts in an experimental form, this response reflects on my immersive audience member performer experience, and concludes by using William Butler Yeats’ “Easter 1916” (and other Yeats text…
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other
I have experience adapting texts and subverting form because of my histories as a student, coach, instructor, scholar, and practitioner in both performance studies and forensics interpretation. I argue practitioners in each area can benefit by adapting with and to the other. This essay urges performance studies to embrace forensics interpretation because of potentials provided through consistent adaptive experimentation opportunities, exposure to…
Eclectic Truth Poetry Slam to Baton Rouge SLAM! An Obituary for Summer 2016: A recording of critical performance ethnography
This account of critical performance ethnography focuses on how Eclectic Truth Poetry Slam in Baton Rouge, LA, responded to a crisis-filled summer 2016. Summer 2016: political tensions were at a boiling point in a parish flooded with water and lost lives. Fall 2016: over half of all Eclectic Truth slam poems performed by local poets referenced that summer’s successive tragedies. With permission from local poets, I collected ethnographic fieldwork…
Baton Rouge SLAM! An Obituary for Summer 2016
This performance script created from a critical performance ethnography focuses on how Eclectic Truth Poetry Slam in Baton Rouge, LA, responded to a crisis-filled summer 2016. Summer 2016: political tensions were at a boiling point in a parish flooded with water and lost lives. Fall 2016: over half of all Eclectic Truth slam poems performed by local poets referenced that summer’s successive tragedies. With permission from local poets, I collected…
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other
I have experience adapting texts and subverting form because of my histories as a student, coach, instructor, scholar, and practitioner in both performance studies and forensics interpretation. I argue practitioners in each area can benefit by adapting with and to the other. This essay urges performance studies to embrace forensics interpretation because of potentials provided through consistent adaptive experimentation opportunities, exposure to…
Baton Rouge SLAM! An Obituary for Summer 2016
This performance script created from a critical performance ethnography focuses on how Eclectic Truth Poetry Slam in Baton Rouge, LA, responded to a crisis-filled summer 2016. Summer 2016: political tensions were at a boiling point in a parish flooded with water and lost lives. Fall 2016: over half of all Eclectic Truth slam poems performed by local poets referenced that summer’s successive tragedies. With permission from local poets, I collected…
Eclectic Truth Poetry Slam to Baton Rouge SLAM! An Obituary for Summer 2016: A recording of critical performance ethnography
This account of critical performance ethnography focuses on how Eclectic Truth Poetry Slam in Baton Rouge, LA, responded to a crisis-filled summer 2016. Summer 2016: political tensions were at a boiling point in a parish flooded with water and lost lives. Fall 2016: over half of all Eclectic Truth slam poems performed by local poets referenced that summer’s successive tragedies. With permission from local poets, I collected ethnographic fieldwork…
Baton Rouge SLAM! An Obituary for Summer 2016
This performance script created from a critical performance ethnography focuses on how Eclectic Truth Poetry Slam in Baton Rouge, LA, responded to a crisis-filled summer 2016. Summer 2016: political tensions were at a boiling point in a parish flooded with water and lost lives. Fall 2016: over half of all Eclectic Truth slam poems performed by local poets referenced that summer’s successive tragedies. With permission from local poets, I collected…
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other
I have experience adapting texts and subverting form because of my histories as a student, coach, instructor, scholar, and practitioner in both performance studies and forensics interpretation. I argue practitioners in each area can benefit by adapting with and to the other. This essay urges performance studies to embrace forensics interpretation because of potentials provided through consistent adaptive experimentation opportunities, exposure to…
A terrible beauty is born”: Using Yeats to respond to Last Words , November 2021
In 2021, I attended the first National Communication Association conference since 2019 (before the COVID-19 pandemic began), and I participated in Kirt Shineman’s experimental collaborative performance, Last Words. In response to Shineman’s curation of historic texts in an experimental form, this response reflects on my immersive audience member performer experience, and concludes by using William Butler Yeats’ “Easter 1916” (and other Yeats text…
Art (3 works) · History (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Literature (3 works) · Poetry (3 works) · Political science (3 works) · Archaeology (2 works) · Art history (2 works)