A terrible beauty is born”
Using Yeats to respond to Last Words , November 2021
Bibliographic Data
| ID | 12370180 |
|---|---|
| Authors | Joshua Hamzehee (0000-0002-2922-1742, Santa Rosa Junior College, corresponding author) |
| Year | 2023 |
| Volume | 44 |
| Issue | 2 |
| Pages | 133-137 |
| Publication date | 2023-04-05 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Text and Performance Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 1046-2937 • E-ISSN: 1479-5760 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10462937.2023.2195477 |
| OpenAlex | W4362607281 |
| Language | EN |
| References cited | 3 |
In 2021, I attended the first National Communication Association conference since 2019 (before the COVID-19 pandemic began), and I participated in Kirt Shineman’s experimental collaborative performance, Last Words. In response to Shineman’s curation of historic texts in an experimental form, this response reflects on my immersive audience member performer experience, and concludes by using William Butler Yeats’ “Easter 1916” (and other Yeats texts) to craft a poetic reply to the content, form, and 1916/2021 time periods of Last Words
Aesthetics · Art · Association (psychology · Beauty · Coronavirus disease 2019 (COVID-19 · Craft · Literature · Performing arts · Poetry · Visual arts · Artistic and Creative Research · History · Medicine · Psychology · Theatre and Performance Studies · Visual Culture and Art Theory
| Citation velocity | historical |
|---|---|
| Highly cited | No |