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James Diedrick

Biographic Data

ID6625055
NAMEJames Diedrick
GIVEN NAMESJames
FAMILY NAMEDiedrick
SIGNATUREDIEDRICK J
AFFILIATIONSAgnes Scott College
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Secularism and its Discontents

    Open Access•James Diedrick•ARTICLE•Partial Answers Journal of…•2025

    The poet and woman of letters Mathilde Blind (1841–1896) achieved her early fame — and notoriety — as a radical freethinker, especially as a translator and champion of David Friedrich Strauss's The Old Faith and the New: A Confession (1873), which articulates an antitheist form of historical and scientific materialism. Her subsequent prose works — essays, reviews, and translations — confirm this reputation. But her verse, which makes use of what …

  • The Hectic Beauty of Decay”

    Open Access•James Diedrick•ARTICLE•Victorian Literature and Culture•2006•Cited by: 1•References: 3

    Wan mists enwrap the still-born day; The harebell withers on the heath, And all the moorland seems to breathe The hectic beauty of decay. —Mathilde Blind, “The Evening of the Year,” Songs and Sonnets To again invoke the organic metaphor at the root of decadence, what is crucial about the notion of decay is not so much the change from a greater to a lesser state, but the changing itself. —David Weir, Decadence and the Making of Modernism [T]he aim…

  • The Hectic Beauty of Decay”

    Open Access•James Diedrick•ARTICLE•Victorian Literature and Culture•2006•Cited by: 1•References: 3

    Wan mists enwrap the still-born day; The harebell withers on the heath, And all the moorland seems to breathe The hectic beauty of decay. —Mathilde Blind, “The Evening of the Year,” Songs and Sonnets To again invoke the organic metaphor at the root of decadence, what is crucial about the notion of decay is not so much the change from a greater to a lesser state, but the changing itself. —David Weir, Decadence and the Making of Modernism [T]he aim…

  • The Hectic Beauty of Decay”

    Open Access•James Diedrick•ARTICLE•Victorian Literature and Culture•2006•Cited by: 1•References: 3

    Wan mists enwrap the still-born day; The harebell withers on the heath, And all the moorland seems to breathe The hectic beauty of decay. —Mathilde Blind, “The Evening of the Year,” Songs and Sonnets To again invoke the organic metaphor at the root of decadence, what is crucial about the notion of decay is not so much the change from a greater to a lesser state, but the changing itself. —David Weir, Decadence and the Making of Modernism [T]he aim…

  • Secularism and its Discontents

    Open Access•James Diedrick•ARTICLE•Partial Answers Journal of…•2025

    The poet and woman of letters Mathilde Blind (1841–1896) achieved her early fame — and notoriety — as a radical freethinker, especially as a translator and champion of David Friedrich Strauss's The Old Faith and the New: A Confession (1873), which articulates an antitheist form of historical and scientific materialism. Her subsequent prose works — essays, reviews, and translations — confirm this reputation. But her verse, which makes use of what …

Art (2 works) · Literature (2 works) · Poetry (2 works) · Aesthetics (1 work) · Beauty (1 work) · Decadence (1 work) · Decadence, Literature, and Society (1 work) · Historical Studies on Reproduction, Gender, Health, and Societal Changes (1 work) · Islam (1 work) · Literature: history, themes, analysis (1 work)

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