Elliot K Canfield-Dafilou
Biographic Data
| ID | 6668956 |
|---|---|
| NAME | Elliot K Canfield-Dafilou |
| GIVEN NAMES | Elliot K |
| FAMILY NAME | Canfield-Dafilou |
| SIGNATURE | CANFIELD-DAFILOU E K |
| AFFILIATIONS | Institut Jean Le Rond d'Alembert |
| ORCID | 0000-0003-3219-9272 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
History and Acoustics of Preaching in Notre-Dame de Paris
This article investigates the audibility and intelligibility of preaching in a loud voice inside the Cathedral Notre-Dame de Paris during the Middle Ages, after the construction of the Gothic cathedral, until the late 19th century. Through this time period, the locations where oration took place changed along with religious practices inside the cathedral. Here, we combine a historical approach with room acoustic modelling to evaluate the location…
The voices of children in Notre-Dame de Paris during the Late Middle Ages and the Modern Period
This article presents aspects of the lives of the choirboys at Notre-Dame de Paris between the 14th and the 18th centuries. We evaluate the sound produced by children’s voices during liturgical celebrations based on their location inside the choir using acoustic simulations. The enclosed liturgical choir of Notre-Dame created an acoustical subspace in the cathedral with suitable acoustics for the clergy within the choir, but not for the laypeople…
The voices of children in Notre-Dame de Paris during the Late Middle Ages and the Modern Period
This article presents aspects of the lives of the choirboys at Notre-Dame de Paris between the 14th and the 18th centuries. We evaluate the sound produced by children’s voices during liturgical celebrations based on their location inside the choir using acoustic simulations. The enclosed liturgical choir of Notre-Dame created an acoustical subspace in the cathedral with suitable acoustics for the clergy within the choir, but not for the laypeople…
The voices of children in Notre-Dame de Paris during the Late Middle Ages and the Modern Period
This article presents aspects of the lives of the choirboys at Notre-Dame de Paris between the 14th and the 18th centuries. We evaluate the sound produced by children’s voices during liturgical celebrations based on their location inside the choir using acoustic simulations. The enclosed liturgical choir of Notre-Dame created an acoustical subspace in the cathedral with suitable acoustics for the clergy within the choir, but not for the laypeople…
History and Acoustics of Preaching in Notre-Dame de Paris
This article investigates the audibility and intelligibility of preaching in a loud voice inside the Cathedral Notre-Dame de Paris during the Middle Ages, after the construction of the Gothic cathedral, until the late 19th century. Through this time period, the locations where oration took place changed along with religious practices inside the cathedral. Here, we combine a historical approach with room acoustic modelling to evaluate the location…
Aesthetics (2 works) · Art (2 works) · History (2 works) · History (2 works) · Period (music (2 works) · Acoustic Wave Phenomena Research (1 work) · Ancient history (1 work) · Appeal (1 work) · Archaeology (1 work) · Art history (1 work)