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The voices of children in Notre-Dame de Paris during the Late Middle Ages and the Modern Period

Bibliographic Data

ID12513265
AuthorsElliot K Canfield-Dafilou (0000-0003-3219-9272, Institut Jean Le Rond d'Alembert, corresponding author), Numa Buchs (Centre National de la Recherche Scientifique), Béatrice Caseau (0000-0002-6308-1261, Institut Universitaire de France), Béatrice Caseau Chevallier
Year2022
Volume65
Pages160-168
Publication date2022-07-12
Open AccessYes
TypeARTICLE
VenueJournal of Cultural Heritage (JOURNAL)
Journal identifiersISSN: 1296-2074 • E-ISSN: 1778-3674
PublisherElsevier BV (PUBLISHER)
DOI10.1016/j.culher.2022.06.005
OpenAlexW4285097277
LanguageEN
Citations received3
References cited7

This article presents aspects of the lives of the choirboys at Notre-Dame de Paris between the 14th and the 18th centuries. We evaluate the sound produced by children’s voices during liturgical celebrations based on their location inside the choir using acoustic simulations. The enclosed liturgical choir of Notre-Dame created an acoustical subspace in the cathedral with suitable acoustics for the clergy within the choir, but not for the laypeople in the nave. These simulations demonstrate that this liturgy of the Hours was meant mostly for God and the canons who sang it. In addition to testing conditions where the children sang from within the chancel with and without the jubé, we also investigate the situation where the children sang from on top of the jubé as they did for certain special occasions. While placing singers on the jubé may have had visual appeal or ceremonial importance, simulations reveal that moving the singers from the ground floor of the choir to the jubé would have actually had a negative effect on the loudness and clarity of the sound heard by the canons in the choir

Aesthetics · Appeal · Archaeology · Art · Choir · Liturgy · Nave · Period (music · Visual arts · Historical Influence and Diplomacy · History · Law · Reformation and Early Modern Christianity · Renaissance Literature and Culture

  • Water plays

    Open Access•Aliaa El-Dardiry, Ahmed Ali Ahmed ElKhateeb et al.•Studies in Digital Heritage•2024

  • Ears of the past, an inquiry into the sonic memory of the acoustics of Notre-Dame before the fire of 2019

    Open Access•Julien De Muynke, Marie Baltazar et al.•Journal of Cultural Heritage•2024

  • History and Acoustics of Preaching in Notre-Dame de Paris

    Open Access•Elliot K Canfield-Dafilou, Brian F G Katz et al.•Heritage•2024

  • L'emplacement des choristes et les tribunes dans les eglises du Moyen age

    Pierre Héliot•Revue de musicologie•1966

Citations per year1.5
Citation span2024 - 2024 (1)
Highly citedNo

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Open DOIOpen Access
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