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Numa Buchs

Biographic Data

ID6668957
NAMENuma Buchs
GIVEN NAMESNuma
FAMILY NAMEBuchs
SIGNATUREBUCHS N
AFFILIATIONSCentre National de la Recherche Scientifique
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Creating a Sigillographic Search Engine for Byzantium

    Open Access•Alessio Sopracasa, Jan Bigalke et al.•ARTICLE•Digital Medievalist•2024

    Many of the documents that were created in the Byzantine Empire (the former Eastern Roman Empire, 4th–15th centuries) are no longer extant, but the seals that accompanied the documents have survived in large numbers, providing information for various research fields within Byzantine studies. The ANR/DFG project DigiByzSeal aims to use digital presentation to enable new understandings of Byzantium and its written culture by transforming Byzantine …

  • The voices of children in Notre-Dame de Paris during the Late Middle Ages and the Modern Period

    Open Access•Elliot K Canfield-Dafilou, Numa Buchs et al.•ARTICLE•Journal of Cultural Heritage•2022•Cited by: 1•References: 1

    This article presents aspects of the lives of the choirboys at Notre-Dame de Paris between the 14th and the 18th centuries. We evaluate the sound produced by children’s voices during liturgical celebrations based on their location inside the choir using acoustic simulations. The enclosed liturgical choir of Notre-Dame created an acoustical subspace in the cathedral with suitable acoustics for the clergy within the choir, but not for the laypeople…

  • The voices of children in Notre-Dame de Paris during the Late Middle Ages and the Modern Period

    Open Access•Elliot K Canfield-Dafilou, Numa Buchs et al.•ARTICLE•Journal of Cultural Heritage•2022•Cited by: 1•References: 1

    This article presents aspects of the lives of the choirboys at Notre-Dame de Paris between the 14th and the 18th centuries. We evaluate the sound produced by children’s voices during liturgical celebrations based on their location inside the choir using acoustic simulations. The enclosed liturgical choir of Notre-Dame created an acoustical subspace in the cathedral with suitable acoustics for the clergy within the choir, but not for the laypeople…

  • The voices of children in Notre-Dame de Paris during the Late Middle Ages and the Modern Period

    Open Access•Elliot K Canfield-Dafilou, Numa Buchs et al.•ARTICLE•Journal of Cultural Heritage•2022•Cited by: 1•References: 1

    This article presents aspects of the lives of the choirboys at Notre-Dame de Paris between the 14th and the 18th centuries. We evaluate the sound produced by children’s voices during liturgical celebrations based on their location inside the choir using acoustic simulations. The enclosed liturgical choir of Notre-Dame created an acoustical subspace in the cathedral with suitable acoustics for the clergy within the choir, but not for the laypeople…

  • Creating a Sigillographic Search Engine for Byzantium

    Open Access•Alessio Sopracasa, Jan Bigalke et al.•ARTICLE•Digital Medievalist•2024

    Many of the documents that were created in the Byzantine Empire (the former Eastern Roman Empire, 4th–15th centuries) are no longer extant, but the seals that accompanied the documents have survived in large numbers, providing information for various research fields within Byzantine studies. The ANR/DFG project DigiByzSeal aims to use digital presentation to enable new understandings of Byzantium and its written culture by transforming Byzantine …

Aesthetics (1 work) · Appeal (1 work) · Archaeology (1 work) · Art (1 work) · Business (1 work) · Choir (1 work) · Historical Influence and Diplomacy (1 work) · History (1 work) · History (1 work) · Intellectual Property Law (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae