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Boris Khaimovich

Biographic Data

ID6673887
NAMEBoris Khaimovich
GIVEN NAMESBoris
FAMILY NAMEKhaimovich
SIGNATUREKHAIMOVICH B
AFFILIATIONSHebrew University of Jerusalem
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS1
WORKS AS AUTHOR1
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2011
H-INDEX1
  • On the semantics of the motif “three hares chasing each other in a circle” on Jewish monuments in Eastern Europe

    Boris Khaimovich•ARTICLE•East European Jewish Affairs•2011•Cited by: 1•References: 1

    “Three hares chasing each other in a circle” is one of the most common and peculiar motifs in the murals of Eastern European wooden synagogues. This motif was not an invention of Jewish craftsmen, but rather was borrowed and adapted by them from European art. In the late eighteenth to early nineteenth century this motif appears in various Ashkenazi ritual objects and on the tombstones of Eastern European Jews in the same region, and even in those…

  • On the semantics of the motif “three hares chasing each other in a circle” on Jewish monuments in Eastern Europe

    Boris Khaimovich•ARTICLE•East European Jewish Affairs•2011•Cited by: 1•References: 1

    “Three hares chasing each other in a circle” is one of the most common and peculiar motifs in the murals of Eastern European wooden synagogues. This motif was not an invention of Jewish craftsmen, but rather was borrowed and adapted by them from European art. In the late eighteenth to early nineteenth century this motif appears in various Ashkenazi ritual objects and on the tombstones of Eastern European Jews in the same region, and even in those…

  • On the semantics of the motif “three hares chasing each other in a circle” on Jewish monuments in Eastern Europe

    Boris Khaimovich•ARTICLE•East European Jewish Affairs•2011•Cited by: 1•References: 1

    “Three hares chasing each other in a circle” is one of the most common and peculiar motifs in the murals of Eastern European wooden synagogues. This motif was not an invention of Jewish craftsmen, but rather was borrowed and adapted by them from European art. In the late eighteenth to early nineteenth century this motif appears in various Ashkenazi ritual objects and on the tombstones of Eastern European Jews in the same region, and even in those…

Aesthetics (1 work) · Ancient history (1 work) · Archaeology (1 work) · Archaeology and Historical Studies (1 work) · Art (1 work) · Art history (1 work) · Genealogy (1 work) · History (1 work) · History (1 work) · Jewish and Middle Eastern Studies (1 work)

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