On the semantics of the motif “three hares chasing each other in a circle” on Jewish monuments in Eastern Europe

“Three hares chasing each other in a circle” is one of the most common and peculiar motifs in the murals of Eastern European wooden synagogues. This motif was not an invention of Jewish craftsmen, but rather was borrowed and adapted by them from European art. In the late eighteenth to early nineteenth century this motif appears in various Ashkenazi ritual objects and on the tombstones of Eastern European Jews in the same region, and even in those places where there were painted synagogues. What is the reason for the appearance of this strange motif on Jewish monuments? On some monuments the motif of the “three hares” paradoxically replaces the “three overlapping fish” which are depicted as the zodiacal sign of the month Nisan. On the tombstones the image hints at the name of the deceased. But its central place in the composition of murals is evidence that this motif has an important universal meaning. This analysis of the motif shows that it became an integral part of an artistic tradition and that its semantics were determined within a well-defined geographical and chronological framework

Aesthetics · Ancient history · Archaeology · Art · Art history · Genealogy · Judaism · Literature · Motif (music · Archaeology and Historical Studies · History · Jewish and Middle Eastern Studies

• The Beth-Zur Citadel II — A Persian Residency

  Ronny Reich•Tel Aviv•1992

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