Manuela Franco
Biographic Data
| ID | 6677540 |
|---|---|
| NAME | Manuela Franco |
| GIVEN NAMES | Manuela |
| FAMILY NAME | Franco |
| SIGNATURE | FRANCO M |
| AFFILIATIONS | University of Cambridge |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Representing violence against women across Italian media
This article was published open access under a CC BY licence: https://creativecommons.org/licenses/by/4.0
Getting ready for the Second World War. Fascist Propaganda and Ideology in L’Avventuroso (1938–40)
In 1938, the Italian Fascist regime enacted legislation banning foreign comics, specifically targeting the children’s press. As a result, publishers like Nerbini had to radically alter their magazines’ contents to align with the regime’s aim of using the children’s press as a tool for indoctrinating Italian youth with Fascist values. This article takes L’Avventuroso as a case study to investigate how Fascist policies influenced children’s media b…
Lirosi, Alessia. La confraternita di Sant’Anna. La Compagnia di Sant’Anna nella chiesa di S. Pantaleo tra XVII e XVIII secolo
Lirosi, Alessia. La confraternita di Sant’Anna. La Compagnia di Sant’Anna nella chiesa di S. Pantaleo tra XVII e XVIII secolo. An article from journal Confraternitas (THE SCUOLA DALMATA DEI SANTI GIORGIO E TRIFONE IN VENICE), on Érudit
Rotocalchi femminili nell’Italia Fascista. Grazia (1938–43)
In the last decades of the Fascist regime, women’s illustrated magazines (rotocalchi) incorporated and spread models of femininity coming from abroad, which coexisted with the Fascist ideal of the ‘angel of the hearth’. The presence of both modern and traditional models of femininity is striking in a popular and successful magazine such as Grazia, published by Mondadori between 1938 and 1943. The study of Grazia is not only revealing of the coexi…
The Twentieth-Century Portuguese Jews from Salonika.
The Twentieth-Century Portuguese Jews from Salonika. “Oriental Jews of Portuguese Origin”
During the Second World War, Portugal was called upon to exercise its duties of protection towards the Portuguese Jews in the territories under the German Reich. Known as “Oriental Jews of Portuguese Origin”, most of these people had received Portuguese documents as a result of a 1913 decision to grant provisional nationality to a number of Ottoman Jewish families from Salonika at the time of the Balkan Wars. Thus “Oriental Jews of Portuguese Ori…
No prominent works on this page.
The Twentieth-Century Portuguese Jews from Salonika. “Oriental Jews of Portuguese Origin”
During the Second World War, Portugal was called upon to exercise its duties of protection towards the Portuguese Jews in the territories under the German Reich. Known as “Oriental Jews of Portuguese Origin”, most of these people had received Portuguese documents as a result of a 1913 decision to grant provisional nationality to a number of Ottoman Jewish families from Salonika at the time of the Balkan Wars. Thus “Oriental Jews of Portuguese Ori…
The Twentieth-Century Portuguese Jews from Salonika.
Rotocalchi femminili nell’Italia Fascista. Grazia (1938–43)
In the last decades of the Fascist regime, women’s illustrated magazines (rotocalchi) incorporated and spread models of femininity coming from abroad, which coexisted with the Fascist ideal of the ‘angel of the hearth’. The presence of both modern and traditional models of femininity is striking in a popular and successful magazine such as Grazia, published by Mondadori between 1938 and 1943. The study of Grazia is not only revealing of the coexi…
Lirosi, Alessia. La confraternita di Sant’Anna. La Compagnia di Sant’Anna nella chiesa di S. Pantaleo tra XVII e XVIII secolo
Lirosi, Alessia. La confraternita di Sant’Anna. La Compagnia di Sant’Anna nella chiesa di S. Pantaleo tra XVII e XVIII secolo. An article from journal Confraternitas (THE SCUOLA DALMATA DEI SANTI GIORGIO E TRIFONE IN VENICE), on Érudit
Getting ready for the Second World War. Fascist Propaganda and Ideology in L’Avventuroso (1938–40)
In 1938, the Italian Fascist regime enacted legislation banning foreign comics, specifically targeting the children’s press. As a result, publishers like Nerbini had to radically alter their magazines’ contents to align with the regime’s aim of using the children’s press as a tool for indoctrinating Italian youth with Fascist values. This article takes L’Avventuroso as a case study to investigate how Fascist policies influenced children’s media b…
Representing violence against women across Italian media
This article was published open access under a CC BY licence: https://creativecommons.org/licenses/by/4.0
Art (3 works) · History (3 works) · Italian Fascism and Post-war Society (3 works) · Ancient history (2 works) · Jewish and Middle Eastern Studies (2 works) · Jewish Identity and Society (2 works) · Law (2 works) · Linguistics (2 works) · Philosophy (2 works) · Political science (2 works)