Marie Thérèse Abdelmessih
Biographic Data
| ID | 668783 |
|---|---|
| NAME | Marie Thérèse Abdelmessih |
| GIVEN NAMES | Marie Thérèse |
| FAMILY NAME | Abdelmessih |
| SIGNATURE | ABDELMESSIH M T |
| AFFILIATIONS | Cairo University |
| ORCID | 0000-0002-8122-2443 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Post-Media poetics in a digital composite
The article addresses deep remixability in dance, film, software, media, and metafiction in The oriental dancer, a digital project composited by Sadim Mansour-Rondeau. The objective is to contest former anthropocentric constructs pertaining to dance and aesthetics. Attention is given to technical inventiveness and creativity of the digital creations, in the framework of Deleuzian-Guattarian and Derridean notions, together with post-media and soft…
Intermediating Aural and Visual Divides in Ahmed Shafie’s Print Literary Media and Hassan Khan’s New Media Art
New literary media in print has changed its paradigms by converging with new media art; likewise, new media art draws on narrative techniques and poetic images. These paradigm transmutations have generated collaborative links binding distinct creative practices, intensifying the reading engagement and/or immersive experience. The mutual interpenetrations of print literary media and new media art challenges traditional understandings of literary, …
Rethinking Critical approaches to Arabic Comparatively, in a ‘Post’ Colonial Context
Rethinking critical approaches requires rereading Arabic through a comparative perspective of distinct practices, within their continual intra-regional exchanges. This ought to be implemented by theoretical methods with strategies to contest the canonical, invoked by critical approaches from the North and the South. New outlooks to the postcolonial approach need to be assessed in relation to the decolonial approach postulated by the Latin America…
Atlantic decolonial critical approach to representations of Cairo’s cityscape
In this study, selected works by two Egyptian novelists are explored from a critical decolonial approach. Jamāl al-Ghīṭānī’s (1945–2015) and Yāsir Aḥmad’s (1980) novels are renditions of architectural transformations in Cairo’s cityscape representing complex cultural mutations. Issues of cultural ex/changes and agency will be dealt with by drawing on critical approaches propounded by Aníbal Quijano, Enrique Dussel, and Walter Mignolo, among other…
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Atlantic decolonial critical approach to representations of Cairo’s cityscape
In this study, selected works by two Egyptian novelists are explored from a critical decolonial approach. Jamāl al-Ghīṭānī’s (1945–2015) and Yāsir Aḥmad’s (1980) novels are renditions of architectural transformations in Cairo’s cityscape representing complex cultural mutations. Issues of cultural ex/changes and agency will be dealt with by drawing on critical approaches propounded by Aníbal Quijano, Enrique Dussel, and Walter Mignolo, among other…
Rethinking Critical approaches to Arabic Comparatively, in a ‘Post’ Colonial Context
Rethinking critical approaches requires rereading Arabic through a comparative perspective of distinct practices, within their continual intra-regional exchanges. This ought to be implemented by theoretical methods with strategies to contest the canonical, invoked by critical approaches from the North and the South. New outlooks to the postcolonial approach need to be assessed in relation to the decolonial approach postulated by the Latin America…
Intermediating Aural and Visual Divides in Ahmed Shafie’s Print Literary Media and Hassan Khan’s New Media Art
New literary media in print has changed its paradigms by converging with new media art; likewise, new media art draws on narrative techniques and poetic images. These paradigm transmutations have generated collaborative links binding distinct creative practices, intensifying the reading engagement and/or immersive experience. The mutual interpenetrations of print literary media and new media art challenges traditional understandings of literary, …
Post-Media poetics in a digital composite
The article addresses deep remixability in dance, film, software, media, and metafiction in The oriental dancer, a digital project composited by Sadim Mansour-Rondeau. The objective is to contest former anthropocentric constructs pertaining to dance and aesthetics. Attention is given to technical inventiveness and creativity of the digital creations, in the framework of Deleuzian-Guattarian and Derridean notions, together with post-media and soft…
Sociology (4 works) · Art (3 works) · History (3 works) · Philosophy (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Architecture and Cultural Influences (2 works) · Computer Science (2 works) · Digital Media and Philosophy (2 works) · Epistemology (2 works)