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Post-Media poetics in a digital composite

The Oriental Dancer

Bibliographic Data

ID21736474
AuthorsMarie Thérèse Abdelmessih (0000-0002-8122-2443, Cairo University, corresponding author)
Year2023
Issue46
Publication date2023-08-31
Open AccessYes
TypeARTICLE
VenueRevista SOLETRAS (JOURNAL)
Journal identifiersISSN: 1519-7778 • E-ISSN: 2316-8838
PublisherUniversidade do Estado do Rio de Janeiro (PUBLISHER • BR)
DOI10.12957/soletras.2023.74851
OpenAlexW4387786149
LanguageEN
Citations received1
References cited7

The article addresses deep remixability in dance, film, software, media, and metafiction in The oriental dancer, a digital project composited by Sadim Mansour-Rondeau. The objective is to contest former anthropocentric constructs pertaining to dance and aesthetics. Attention is given to technical inventiveness and creativity of the digital creations, in the framework of Deleuzian-Guattarian and Derridean notions, together with post-media and software studies. It interrogates the dynamicity of the combinations or assemblages in the project’s composites to identify processes of deploying software for apprehending what escapes recognition. The concluding results stipulate the importance of appreciating digital composites as productive of sensations, affect, and forces, in a Deleuzian-Guattarian sense. This reiterates the dynamicity of software as a non-human agency that transpose multiple content, along with realities that intensify experience, thereby promoting various modes of seeing and being (Manovich; Parikka). Basically, the encounter with the The oriental dancer digital composite activates a poetics of potentiality that releases infinite modes of becoming, a gateway to the possibilities of future reinvention

Aesthetics · Art · CONTEST · Creativity · Dance · Digital media · Literature · Poetics · Poetry · Sociology · Visual arts · World Wide Web · Cinema and Media Studies · Computer Science · Digital Games and Media · Digital Media and Philosophy · Philosophy · Psychology · Social Psychology

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    Open Access•Marie Thérèse Abdelmessih•Revista SOLETRAS•2023

  • Camera Obscura, Camera Lucida

    Open Access•Richard Allen, Malcolm Turvey•Camera Obscura, Camera Lucida•2003

  • How can we tell the Dancer from the Dance?

    Open Access•Claire Colebrook•Topoi•2005

  • Post-Media poetics in a digital composite

    Open Access•Marie Thérèse Abdelmessih•Revista SOLETRAS•2023

  • Women in Motion

    Elizabeth Coffman•Camera Obscura Feminism Culture…•2002

  • Aisthesis

    Open Access•Seth Williams, Seth Stewart Williams•Dance Research Journal•2015

  • The Aesthetics of Affect

    Simon D O''Sullivan, Simon O'Sullivan•Angelaki•2001

  • Intangible Cultural Heritage Beyond Borders

    Valeria Loiacono, Julia Fallon et al.•Journal of Intercultural Studies•2018

Citations per year0.33
Citation span2023 - 2023 (1)
Highly citedNo

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