Simon Bliss
Biographic Data
| ID | 6692274 |
|---|---|
| NAME | Simon Bliss |
| GIVEN NAMES | Simon |
| FAMILY NAME | Bliss |
| SIGNATURE | BLISS S |
| AFFILIATIONS | Russian State Agrarian Correspondence University |
| ORCID | 0000-0003-0061-9754 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Sobriété, Chic, Discrétion”
This paper discusses the promotion of modern jewelry and accessories in interwar France using the men’s fashion magazine Adam: la revue de l’homme as a case study. It focuses on a number of the magazine’s features on jewelry and accessories from the period 1925-40 in order to demonstrate how its mission to become “the magazine of the rue de la Paix” encompassed the promotion of jewelry and accessories. Recognizing that jewelry and accessories is …
L’intelligence de la parure”
This essay discusses jewelry wearing in France, Britain and America in the 1920s. It considers the changing attitudes to wearing and thinking about jewelry that came about after the end of the First World War, including what jewelry was, what it meant to the wearer and how it was represented and ‘performed’
L’intelligence de la parure”
This essay discusses jewelry wearing in France, Britain and America in the 1920s. It considers the changing attitudes to wearing and thinking about jewelry that came about after the end of the First World War, including what jewelry was, what it meant to the wearer and how it was represented and ‘performed’
L’intelligence de la parure”
This essay discusses jewelry wearing in France, Britain and America in the 1920s. It considers the changing attitudes to wearing and thinking about jewelry that came about after the end of the First World War, including what jewelry was, what it meant to the wearer and how it was represented and ‘performed’
Sobriété, Chic, Discrétion”
This paper discusses the promotion of modern jewelry and accessories in interwar France using the men’s fashion magazine Adam: la revue de l’homme as a case study. It focuses on a number of the magazine’s features on jewelry and accessories from the period 1925-40 in order to demonstrate how its mission to become “the magazine of the rue de la Paix” encompassed the promotion of jewelry and accessories. Recognizing that jewelry and accessories is …
Art (2 works) · Art history (2 works) · Fashion and Cultural Textiles (2 works) · History (2 works) · History (2 works) · Visual arts (2 works) · Adornment (1 work) · Advertising (1 work) · Aesthetics (1 work) · Business (1 work)