L’intelligence de la parure”
Notes on Jewelry Wearing in the 1920s
Bibliographic Data
| ID | 12587773 |
|---|---|
| Authors | Simon Bliss (0000-0003-0061-9754, corresponding author) |
| Year | 2015 |
| Volume | 20 |
| Issue | 1 |
| Pages | 5-26 |
| Publication date | 2015-09-22 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Fashion Theory (JOURNAL) |
| Journal identifiers | ISSN: 1362-704X • E-ISSN: 1751-7419 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/1362704x.2015.1077652 |
| OpenAlex | W2300544900 |
| Language | EN |
| Citations received | 1 |
| References cited | 8 |
This essay discusses jewelry wearing in France, Britain and America in the 1920s. It considers the changing attitudes to wearing and thinking about jewelry that came about after the end of the First World War, including what jewelry was, what it meant to the wearer and how it was represented and ‘performed’
Art · Art history · First world war · Humanities · Visual arts · Crafts, Textile, and Design · Fashion and Cultural Textiles · History
| Citations per year | 0.09 |
|---|---|
| Citation span | 2015 - 2015 (1) |
| Highly cited | No |