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Hiesun Cecilia Suhr

Biographic Data

ID6715040
NAMEHiesun Cecilia Suhr
GIVEN NAMESHiesun Cecilia
FAMILY NAMESuhr
SIGNATURESUHR H C
AFFILIATIONSMiami University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS5
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2018
H-INDEX1
  • The Audience and Artist Interactivity in Augmented Reality Art

    Hiesun Cecilia Suhr•ARTICLE•Critical Arts•2018•Cited by: 1•References: 13

    Traditional art exhibitions are typically limited to artworks being viewed on the walls of galleries and museums. While walking around galleries, viewers often view artworks spontaneously within a matter of a few seconds or minutes. The act of viewing artworks can take many forms; one might quickly glance at the works, or stare at them, or intensely view the works as a whole group and/or in part. The frequent assumption is that the artist is comm…

  • Underpinning the paradoxes in the artistic fields of MySpace

    Open Access•Hiesun Cecilia Suhr•ARTICLE•New Media & Society•2009•Cited by: 4•References: 11

    With the rise of participatory culture, social networking sites such as MySpace (www.myspace.com) provide a new outlet for the works of independent artists. The operation of participatory media is not autonomous because the opportunity of intersection with the mainstream media exists, hence the term 'convergence culture' coined by Henry Jenkins. Nonetheless, the critical question for this article pertains to the role of participatory media in con…

  • The role of intermediaries in the consecration of arts on myspace.com

    Hiesun Cecilia Suhr•ARTICLE•International Journal of Media…•2008•References: 4

  • Underpinning the paradoxes in the artistic fields of MySpace

    Open Access•Hiesun Cecilia Suhr•ARTICLE•New Media & Society•2009•Cited by: 4•References: 11

    With the rise of participatory culture, social networking sites such as MySpace (www.myspace.com) provide a new outlet for the works of independent artists. The operation of participatory media is not autonomous because the opportunity of intersection with the mainstream media exists, hence the term 'convergence culture' coined by Henry Jenkins. Nonetheless, the critical question for this article pertains to the role of participatory media in con…

  • The Audience and Artist Interactivity in Augmented Reality Art

    Hiesun Cecilia Suhr•ARTICLE•Critical Arts•2018•Cited by: 1•References: 13

    Traditional art exhibitions are typically limited to artworks being viewed on the walls of galleries and museums. While walking around galleries, viewers often view artworks spontaneously within a matter of a few seconds or minutes. The act of viewing artworks can take many forms; one might quickly glance at the works, or stare at them, or intensely view the works as a whole group and/or in part. The frequent assumption is that the artist is comm…

  • The role of intermediaries in the consecration of arts on myspace.com

    Hiesun Cecilia Suhr•ARTICLE•International Journal of Media…•2008•References: 4

  • Underpinning the paradoxes in the artistic fields of MySpace

    Open Access•Hiesun Cecilia Suhr•ARTICLE•New Media & Society•2009•Cited by: 4•References: 11

    With the rise of participatory culture, social networking sites such as MySpace (www.myspace.com) provide a new outlet for the works of independent artists. The operation of participatory media is not autonomous because the opportunity of intersection with the mainstream media exists, hence the term 'convergence culture' coined by Henry Jenkins. Nonetheless, the critical question for this article pertains to the role of participatory media in con…

  • The Audience and Artist Interactivity in Augmented Reality Art

    Hiesun Cecilia Suhr•ARTICLE•Critical Arts•2018•Cited by: 1•References: 13

    Traditional art exhibitions are typically limited to artworks being viewed on the walls of galleries and museums. While walking around galleries, viewers often view artworks spontaneously within a matter of a few seconds or minutes. The act of viewing artworks can take many forms; one might quickly glance at the works, or stare at them, or intensely view the works as a whole group and/or in part. The frequent assumption is that the artist is comm…

Art (3 works) · Sociology (3 works) · Media studies (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Amateur (1 works) · Augmented reality (1 works) · Augmented Reality Applications (1 works) · Business (1 works) · Cinema and Media Studies (1 works)

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