Michael Reinhard
Biographic Data
| ID | 6727804 |
|---|---|
| NAME | Michael Reinhard |
| GIVEN NAMES | Michael |
| FAMILY NAME | Reinhard |
| SIGNATURE | REINHARD M |
| AFFILIATIONS | University of California, Los Angeles |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Automating fandom
In an analysis of the intersection of media and politics through the increased presence of social bots on social media platforms like Twitter, it becomes evident that years before internet bots were used for geopolitical cyberconflict, fan communities online were already subject to these forces in driving user engagement for music brands and celebrities. Fan scholars must interrogate the presence of these bot networks for their impact on online f…
Recycling melodrama
Over the past decade, HBO has turned towards domestic melodramas like Olive Kitteridge (2014), Sharp Objects (2018), and Big Little Lies (2017) to cultivate its aesthetic brand of “quality televisi
The Formation of Occupational Terms in German Romanī (Dialect of the Sinte)
Article The Formation of Occupational Terms in German Romanī (Dialect of the Sinte) was published on January 1, 1979 in the journal International Journal of the Sociology of Language (volume 1979, issue 19)
Recycling melodrama
Over the past decade, HBO has turned towards domestic melodramas like Olive Kitteridge (2014), Sharp Objects (2018), and Big Little Lies (2017) to cultivate its aesthetic brand of “quality televisi
The Formation of Occupational Terms in German Romanī (Dialect of the Sinte)
Article The Formation of Occupational Terms in German Romanī (Dialect of the Sinte) was published on January 1, 1979 in the journal International Journal of the Sociology of Language (volume 1979, issue 19)
Recycling melodrama
Over the past decade, HBO has turned towards domestic melodramas like Olive Kitteridge (2014), Sharp Objects (2018), and Big Little Lies (2017) to cultivate its aesthetic brand of “quality televisi
Automating fandom
In an analysis of the intersection of media and politics through the increased presence of social bots on social media platforms like Twitter, it becomes evident that years before internet bots were used for geopolitical cyberconflict, fan communities online were already subject to these forces in driving user engagement for music brands and celebrities. Fan scholars must interrogate the presence of these bot networks for their impact on online f…
Sociology (3 works) · Advertising (2 works) · Aesthetics (2 works) · Art (2 works) · Business (2 works) · Media studies (2 works) · Philosophy (2 works) · Asian Culture and Media Studies (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work)