Recycling melodrama
HBO’s “quality television” discourse and the place of women’s testimony
Bibliographic Data
| ID | 12690178 |
|---|---|
| Authors | Michael Reinhard (University of California, Los Angeles, corresponding author) |
| Year | 2019 |
| Volume | 19 |
| Issue | 7 |
| Pages | 1046-1049 |
| Publication date | 2019-09-19 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Feminist Media Studies (JOURNAL) |
| Journal identifiers | ISSN: 1468-0777 • E-ISSN: 1471-5902 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/14680777.2019.1667074 |
| OpenAlex | W2974233221 |
| Language | EN |
| Citations received | 2 |
| References cited | 10 |
Over the past decade, HBO has turned towards domestic melodramas like Olive Kitteridge (2014), Sharp Objects (2018), and Big Little Lies (2017) to cultivate its aesthetic brand of “quality televisi
Advertising · Aesthetics · Art · Business · Epistemology · Media studies · Quality (philosophy · Sociology · Cinema and Media Studies · Law in Society and Culture · Philosophy · Shakespeare, Adaptation, and Literary Criticism
| Unique citing works | 2 |
|---|---|
| Citations per year | 0.5 |
| Citation span | 2022 - 2024 (3) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |