Denis Bachand
Biographic Data
| ID | 673570 |
|---|---|
| NAME | Denis Bachand |
| GIVEN NAMES | Denis |
| FAMILY NAME | Bachand |
| SIGNATURE | BACHAND D |
| AFFILIATIONS | University of Ottawa |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Du national au transnational
A l’ere de la mondialisation et de la circulation acceleree des produits culturels, les identites nationales sont soumises a l’influence de courants artistiques etrangers qui alimentent et transfor
An Interview with François Macerola, President and CEO of la Société de développement des entreprises culturelles (Sodec)
Cultural Encounters in Québec Cinema. Identity and Otherness in Denis Chouinard's Tar Angel 1
Over the course of its history, Québec cinema displayed an interest in outsiders and intercultural exchanges. The opening up to the outside world, which characterized Québec society's evolution, resulted in a renewed consciousness of its own diversity. The quest for and affirmation of the self now proceeds by a recognition that engages in dialogue with the Other—a sign of a profound maturity. Beyond the vision of an identity founded on the herita…
Special Issue of the American Review of Canadian Studies on Québec Cinema
Quebec cinema has arrived. In a way reminiscent of the emergence of Quebec literature in the 1960s, it has crossed a threshold. Quebec's literary history during this period can be illustrated by a
An interview with Carolle Brabant Executive Director of Telefilm Canada
La Réception Critique Du Film Le Déclin De L'Empire Américain Aux États-unis
The reputation preceeding Denys Arcand's most recent film, Love and Human Remains (a screen adaptation of Brad Fraser's play) is largely based on the international success earned by The Decline of the American Empire. In fact, no other French Canadian film has ever attracted such an important audience in the United States. An analysis of critics' response to the film reveals that this enthusiasm stem from the identification rapport of a generatio…
La Réception Des Films Québécois En France
Where is cinema, and particularly Québécois cinema headed in an age of increasing commercialism? How do the growing demands of exportation and economies of scale influence the concept of "cultural products?" How do we distinguish between the characteristics of a specific cultural tradition and more hybrid creations that are produced uniquely for commercial purposes? Do co-productions, developed according to the dictates of financial success, find…
L’art de/dans la publicité
plus russis Elle capture l'art et la littrature, l'ensemble des signifiants disponibles et des signifis vacants Elle devient art et littrature HENRI LEFEBVRE 1
L’art de/dans la publicité
plus russis Elle capture l'art et la littrature, l'ensemble des signifiants disponibles et des signifis vacants Elle devient art et littrature HENRI LEFEBVRE 1
L’art de/dans la publicité
plus russis Elle capture l'art et la littrature, l'ensemble des signifiants disponibles et des signifis vacants Elle devient art et littrature HENRI LEFEBVRE 1
La Réception Des Films Québécois En France
Where is cinema, and particularly Québécois cinema headed in an age of increasing commercialism? How do the growing demands of exportation and economies of scale influence the concept of "cultural products?" How do we distinguish between the characteristics of a specific cultural tradition and more hybrid creations that are produced uniquely for commercial purposes? Do co-productions, developed according to the dictates of financial success, find…
La Réception Critique Du Film Le Déclin De L'Empire Américain Aux États-unis
The reputation preceeding Denys Arcand's most recent film, Love and Human Remains (a screen adaptation of Brad Fraser's play) is largely based on the international success earned by The Decline of the American Empire. In fact, no other French Canadian film has ever attracted such an important audience in the United States. An analysis of critics' response to the film reveals that this enthusiasm stem from the identification rapport of a generatio…
An Interview with François Macerola, President and CEO of la Société de développement des entreprises culturelles (Sodec)
Cultural Encounters in Québec Cinema. Identity and Otherness in Denis Chouinard's Tar Angel 1
Over the course of its history, Québec cinema displayed an interest in outsiders and intercultural exchanges. The opening up to the outside world, which characterized Québec society's evolution, resulted in a renewed consciousness of its own diversity. The quest for and affirmation of the self now proceeds by a recognition that engages in dialogue with the Other—a sign of a profound maturity. Beyond the vision of an identity founded on the herita…
Special Issue of the American Review of Canadian Studies on Québec Cinema
Quebec cinema has arrived. In a way reminiscent of the emergence of Quebec literature in the 1960s, it has crossed a threshold. Quebec's literary history during this period can be illustrated by a
An interview with Carolle Brabant Executive Director of Telefilm Canada
Du national au transnational
A l’ere de la mondialisation et de la circulation acceleree des produits culturels, les identites nationales sont soumises a l’influence de courants artistiques etrangers qui alimentent et transfor
Art (6 works) · Political science (6 works) · Art history (4 works) · Sociology (4 works) · Cultural Identity and Heritage (3 works) · French Historical and Cultural Studies (3 works) · History (3 works) · Humanities (3 works) · Law (3 works) · Movie theater (3 works)