Andrew Dubber
Biographic Data
| ID | 6738646 |
|---|---|
| NAME | Andrew Dubber |
| GIVEN NAMES | Andrew |
| FAMILY NAME | Dubber |
| SIGNATURE | DUBBER A |
| AFFILIATIONS | Birmingham City University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
Monkey on the Roof
The process of practice-led research within the arts is most often experienced and expressed as a mode of enquiry through the performance of an art form or creative expression. This article instead reveals the methodologies and theoretical bases of a research project that uses exploratory experiments in mediation and meaning, as well as the application of professional practices and new media tools to an existing arts participation project. An exp…
Experimenting with Fandom, Live Music, and the Internet
This article maps and theorizes online jazz fandom activities around live music, and then reports on applied experimental work that the authors undertook with jazz promoters and musicians to explore ways in which live music can be situated in the activities of online fandom. Three theoretical themes of online taste-maker-led fan communities, narratives of online fan experience, and modularization of content are explained and discussed. Two case s…
Specialist music, public service and the BBC in the Internet age
This article reports on a study into the implications of the development of online fan communities for specialist music broadcasting on the domestic radio stations controlled by the United Kingdom's publically funded the British Broadcasting Company. In particular it focuses on jazz, soul reggae/urban and indie rock. The early sections explore ideas of specialist music and their role in the development of the idea of public service broadcasting w…
Tutira Mai Nga Iwi (Line up together, people)
This article addresses a controversy within New Zealand radio broadcasting policy. As part of its activities to ensure the promotion of New Zealand content in the media, the non-government public organisation New Zealand On Air funds music recordings, promotional videos, album promotion and radio airplay initiatives targeted at the commercial broadcasting sector within that country. Supporters of the organisation, and its music sector agent provo…
Specialist music, public service and the BBC in the Internet age
This article reports on a study into the implications of the development of online fan communities for specialist music broadcasting on the domestic radio stations controlled by the United Kingdom's publically funded the British Broadcasting Company. In particular it focuses on jazz, soul reggae/urban and indie rock. The early sections explore ideas of specialist music and their role in the development of the idea of public service broadcasting w…
Tutira Mai Nga Iwi (Line up together, people)
This article addresses a controversy within New Zealand radio broadcasting policy. As part of its activities to ensure the promotion of New Zealand content in the media, the non-government public organisation New Zealand On Air funds music recordings, promotional videos, album promotion and radio airplay initiatives targeted at the commercial broadcasting sector within that country. Supporters of the organisation, and its music sector agent provo…
Tutira Mai Nga Iwi (Line up together, people)
This article addresses a controversy within New Zealand radio broadcasting policy. As part of its activities to ensure the promotion of New Zealand content in the media, the non-government public organisation New Zealand On Air funds music recordings, promotional videos, album promotion and radio airplay initiatives targeted at the commercial broadcasting sector within that country. Supporters of the organisation, and its music sector agent provo…
Specialist music, public service and the BBC in the Internet age
This article reports on a study into the implications of the development of online fan communities for specialist music broadcasting on the domestic radio stations controlled by the United Kingdom's publically funded the British Broadcasting Company. In particular it focuses on jazz, soul reggae/urban and indie rock. The early sections explore ideas of specialist music and their role in the development of the idea of public service broadcasting w…
Experimenting with Fandom, Live Music, and the Internet
This article maps and theorizes online jazz fandom activities around live music, and then reports on applied experimental work that the authors undertook with jazz promoters and musicians to explore ways in which live music can be situated in the activities of online fandom. Three theoretical themes of online taste-maker-led fan communities, narratives of online fan experience, and modularization of content are explained and discussed. Two case s…
Monkey on the Roof
The process of practice-led research within the arts is most often experienced and expressed as a mode of enquiry through the performance of an art form or creative expression. This article instead reveals the methodologies and theoretical bases of a research project that uses exploratory experiments in mediation and meaning, as well as the application of professional practices and new media tools to an existing arts participation project. An exp…
Sociology (4 works) · Advertising (3 works) · Computer Science (3 works) · Music History and Culture (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Art (2 works) · Broadcasting (networking (2 works) · Business (2 works) · Media studies (2 works)